After the death of his mother, Ian must pack up the family home. A strained relationship between him and his sister leads Ian to discover there are complicated circumstances behind the life he didn’t realize he was living.
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It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Freddie is an inept bank clerk with no future. His only hobby is collecting butterflies, which gives him a feeling of power and control that is otherwise totally missing from his life. He comes into a large sum of money, and buys himself a country house. Still unable to make himself at ease socially, he starts to plan on acquiring a girl friend – in the same manner as he collects butterflies. He prepares the cellar of the house to be a collecting jar, and stalks his victim over several days.
Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
The formerly revered journalist Frank Molina finds himself in hiding, with his career shattered. However, he continues to write anonymously hidden in the shadows. Frank’s sense of calm is abruptly interrupted when a pair of severed eyes and a blood-soaked note appear at his door. As the number of victims increases, Frank will need to unblock his traumatic past if he seeks to find the killer.
A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro’s mother to prevent his Master from drinking… The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It’s an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
Terako (Sakura Ando) is a young woman without a job. She has an affair with Iwanaga (Arata Iura) who is married. His wife is in a coma. One day, Terako’s friend kills herself. After that, Terako sleeps all day long and wakes up only when Iwanaga calls her.
In 1990s Scotland, a group of Catholic school girls get an opportunity to go into Edinburgh for a choir competition, but they’re more interested in drinking, partying and hooking up than winning the competition.
Matt, with the assistance of his new friend Riley, is moving out to Los Angeles California to fulfill his dream of making movies. Everything is off to a good start! That is until Matt’s childhood best friend Chaps decides to crash the road trip and invite himself along. When old friends don’t mix well with new friends, jealousy enters the picture. And if that wasn’t enough to put a damper on the road trip, a menacing hitchhiker turns their world upside down leading to a maddening chase that spins wildly out of control.
Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.
Intersecting stories with different moms collide on Mother’s Day.
