Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who’s brought projector, camera, and Lumière-brothers’ shorts to open the Shadow Magic theater. Liu’s work with Wallace brings him conflict with tradition and his father’s authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing’s traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?
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During a layover in Albuquerque, work colleagues Les and Natalie discover more about each other than they ever thought possible. Anxious and irritable, Les is drawn back into the city by past experiences he can’t forget (even if he doesn’t really remember the particulars of his previous drunken adventure). Natalie, refusing to leave his side, follows along as her own secrets are slowly revealed, leaving her feeling both vulnerable and unbound.
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