Returning home after their honeymoon, a couple find themselves haunted by a disembodied head seeking its missing body.
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An intimate portrait of Dennis Jernigan, the man behind some of the biggest Christian songs of all time and his lifelong struggle with homosexuality.
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Bill Nighy and Miranda Richardson star in a story of grief and celebrity, set in the intense spring and summer of New Labour’s election victory and Diana’s death. Nighy is a PR guru who has to stop and re-evaluate his world when his daughter threatens to leave his life, perhaps as revenge for his serial infidelities. Richardson plays a mother trying to bury her grief in an unconventional way after the loss of her young son.
An ex-narc finds a journal written in code, leading to the whereabouts of a stash of stolen drugs.
Seth McArdle (Samuel Davis) is a high school senior with an especially full plate. Not only must he navigate the usual social and academic pitfalls of high school, but he has to contend with his young twin sisters, serving as de facto parent in the absence of his deceased mother and deadbeat father. The pressure mounts when the bank calls with a foreclosure warning, and Seth’s frustrations spill over into various altercations with the school football team. An exasperated coach exiles Seth to work after school with Abel the eccentric groundskeeper (Kevin Sorbo). Their relationship starts off cold and rocky, but as the two spend more time together, they realize they have more in common than either thought. The downside: it’s pretty much pain and sadness that they share. The upside: God loves them.
Brandon’s world is turned upside down when he receives a phone call from Maurice, revealing himself to be his long lost brother. However, the complexities in their budding relationship becomes more complicated after Brandon discovers that the woman he has been secretly seeing is his newfound brother’s wife. Brandon tries to navigate, but he must ultimately make a decision before it is too late.
A microcosm of the fathomless suffering that remains more than 16 years since the siege of Sarajevo ended, writer-director Aida Begic’s follow-up to her 2008 Cannes Critics’ Week Grand Prize-winning debut Snow tells the story of two orphaned siblings struggling in a transitional society where only the fittest survive.
A screenwriter suffering from writers block decides to lock himself in his apartment for 18 days in order to meet a career-making deadline. His script involves characters from his past, including a terrifying and disfigured clown. As cabin fever sets, he soon finds himself living in a world where what’s real and what’s fiction begin to cross lines with chilling and fatal consequences.
After a couple finds a traumatized child of unknown origins, wife Paula must decipher the girl’s strange behaviors to unlock her identity and dark past.