In a disputed border town, the US Army waits for word from Washington as to the rightful country it belongs, while dealing with a rowdy pack of Mexican soldier/bandits. Into the mix rides seemingly mysterious stranger Anthony Steffan, who looks like a dandy but has a few deadly tricks up his sleeve.
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Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
When John Mason’s father is killed, John is wounded. Attracted to his nurse Alice, a conflict arises between him and his friend Ben who plans to marry Alice. John later finds the killer of his father but goes to face him not knowing Ben has removed the bullets from his gun.
AJ Parker, her ex-husband and a federal agent head for a ghost town in Mexico called Paradise in search for a hidden cache of 5000 stolen double eagle $20 gold coins.
A western that takes a look at a different take on the death of Wild Bill Hickok and the revenge Calamity Jane takes on the men who conspired to kill him. While Jane is on the hunt taking the law into her own hands a lawman enlists the help of Jane’s friend Colorado Charlie Utter to track Jane and stop her before she goes too far.
A circuit judge in the old west attempts to bring a suspected killer to justice. The judge runs afoul of the killer’s rich cattle baron father in the process.
One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.
Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon, though, the tenderfoot finds out life on the range is neither what he expected nor what he’s been looking for…
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he’s doing.
Johnny Mack Brown dons a marshal’s badge in the Monogram western Border Bandits. Brown’s sworn duty is to bring in a gang of crooks whose hideout is on the other side of the Mexican border. Aiding Brown in his task are faithful sidekicks Raymond Hatton and Riley Hill. For reasons unknown, Brown is allowed to sing on occasion, despite the indifference of millions. Border Bandits benefits from the assured direction of veteran horse-opera helmsman Lambert Hillyer.
Read more at http://www.allmovie.com/movie/border-bandits-v6698#KZjtZou6qvrzIxzI.99
