Des works at a boring job, and his girlfriend Julie is pressuring him to get married by claiming to be pregnant, so that she will not have to work. Laurie is living a life of quiet desperation with her husband Colin, an aspiring writer who refuses to look for a job. Des meets Laurie while visiting a work-mate who is dying of leukemia. While they go for a drive, Laurie invites Des to a rent party at their house. After this Vancouver counter-culture party, Colin finds Des and Laurie in bed together.
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Ichi is staying at an inn when a woman dies. Her dying wish is that Ichi take her son to his father, an artist living in a nearby town. After arriving in the town, Ichi finds out that the father has been forced by a local boss to create illegal pornography to pay off his gambling debts. Ichi makes it his mission to save tha man and reunite the family, even though it brings him into conflict with a samurai he sort of befriended on his way to the town.
Andreas and Martin share all the ups and downs of everyday life, and their son is maturing. A cautious approach to the traces of a long relationship. The love story of two people. Not about how they come together, not a phase they go through, but all of their shared experiences: all the years between the first kiss and today.
Indie musician Dong-hoon and cartoonist Jae-hee broke up a year ago. The former couple meet again after the death of the cat they owned together, and go on a night’s trip to hold a funeral for their pet.
A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.
An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.
Spanish soldiers battle indigenous tribes and their own brutal natures as they search for a legendary city built of gold.
Eunjin who is a living legend among the gangsters dominates the male-centered underworld wielding only a pair of her trademark blades. One day, Eun-jin finds her sister from whom she was separated at an orphanage during childhood, and her sister tells Eun-jin that her last dying wish is to see that Eun-jin gets married.
A prince finds his way to Queens during Christmas when a local woman enlists his help with a children’s Christmas show.
Struggling with her grief, Anglican priest Rebecca Ashton tries to replace her deceased daughter with another girl.
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.