At a Latin American Presidents’ Summit in Chile where the region’s alliances and geopolitical strategies are shaped, Hernán Blanco, the president of Argentina, lives a political and family drama. Through his son in law, he’s implicated in a corruption case. On her father’s call, Marina Blanco, attends the Summit to find protection, to earn time and to negotiate a way out. That past once calm and domestic, becomes a menacing element, almost fantastic, seen from the top of public life, seen from the Summit.

Beth Walker, a lonely waitress desperate to escape her small Virginia town and repair her troubled marriage to Pete, her Afghanistan vet husband. Beth’s world is turned upside-down when convicts brutally invade her home during an anniversary dinner that is supposed to mark a fresh start for the couple. In a surprising twist, the true reason for the night’s events are revealed and allies become adversaries. As loyalties shift, all involved fight for survival. Only one will live to see dawn.

Ghosts of Mississippi is a drama covering the final trial of the assassin, Bryon De La Beckwith, of the 60s civil rights leader Medgar Evers. It begins with the murder and the events surrounding the two initial trials which both ended in a hung jury. The movie then covers District Attorney, Bobby DeLaughters transformation and alliance with Myrlie Evers, wife of Medgar Evers, of the, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Some of the characters are played by the actual participants in this story.

An attractive and successful doctor places a personal ad in a newspaper to try to meet (and eventually marry) Mr. Right. A succession of blind dates ensues, featuring men who are lonely, desperate, dangerous and perverted.

A bittersweet story about coming of age in the shadow of mental illness.

Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.

In 1834, Charles Stewart (Alan Ladd), the spoiled, dissolute son of a shipping magnate, is shanghaied aboard the Pilgrim, one of his father’s own ships. He embarks upon a long, hellish sea voyage under the tyrannical rule of Captain Francis Thompson (Howard Da Silva), assisted by his first mate, Amazeen (William Bendix). One of his crewmates is Richard Henry Dana Jr. (Brian Donlevy).

Ruth and Harry decide to take a romantic backpacking trip through the Pacific Northwest, but amongst the beautiful scenery, Ruth makes an unexpected discovery that sets her off on a strange, frightening new path. The couple aren’t alone in the woods, and they might not be the same when they come out…if they come out.

Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man’s God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.

A father struggles to keep his infant daughter alive in the wake of Hurricane Katrina.

Heli must try and protect his young family when his 12-year-old sister inadvertently involves them in the brutal drug world. He must battle against the drug cartel that have been angered as well as the corrupt police force.

A woman with a seemingly ideal life, Siu Man is abandoned by her husband partly due to her fear of intimacy. After several life crises, she decides to reboot her life by taking over her father’s restaurant. Siu Man eventually finds herself attracted to her new chef, a free spirit who treats cooking as serious philosophy. Tired of the shackles she placed on herself, Siu Man embarks on a journey of self-discovery and sexual liberation.