Hamburg, St. Pauli, New Year’s Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party – the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.
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After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.
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Bus loads of teenagers arrive to the ski resort. Each one is eager to get out on the slopes to ski and score. One problem; the owner has all the prices jacked up, secretly ripping people for the last two years he has been in charge. The police don’t do anything because the Sheriff is in on the cover-up. The teens feel their only chance to even the score is at a skiing tournament where the winner is picked to in a raffle to win a bunch of prizes.
When a young wife discovers her husband of two years is involved with his beautiful secretary, she applies for a job as secretary to a business rival.
In the not-too-distant future, an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora, an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble stumbles upon a secret that offers him a chance at love—and hope for escape.
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