Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.
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The German (punk)rock band DIE TOTEN HOSEN is a phenomenon of superlatives. In this music & concert documentary we accompany Germany’s legendary and most successful rock band with 19 millions records sold with unparalleled access on their biggest tour in band history – both in the limelight and backstage with „access all areas“.
The Invisible Patients tells the story of Jessica Macleod, a nurse practitioner, and four homebound patients she cares for in Evansville, Indiana.
Robert Johnson was one of the most influential blues guitarists ever. Even before his early death, fans wondered if he’d made a pact with the Devil.
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.
Amidst today’s urban jungle of concrete, glass and metal, it is easy to forget that we actually live in the territory formerly dominated by wildlife. Many of its members have been exterminated by humans, while others have fled the sprawling urbanization to the surrounding countryside. It is their survival strategies that get revealed in exciting detail in the documentary series, Planet Czechia. For two years, a team of camera operators headed by Jan Hošek were recording a life cycle of Prague’s wild animal world across all seasons of the year. The film, accompanied by the commentary read by the actor Jiří Macháček, registers everyday struggles of the fat dormouse, the mouflon, blackbirds or the water hen, teaching the viewers in a casual manner a higher degree of tolerance toward the city’s overlooked inhabitants.
With the rapid emergence of digital devices, an unstoppable, invisible force is changing human lives in ways from the microscopic to the gargantuan: Big Data, a word that was barely used a few years ago but now governs the day for many of us from the moment we awaken to the extinguishing of the final late-evening light bulb. This massive gathering and analyzing of data in real time is allowing us to not only address some of humanity biggest challenges but is also helping create a new kind of planetary nervous system. Yet as Edward Snowden and the release of the Prism documents have shown, the accessibility of all these data comes at a steep price. The Human Face of Big Data captures the promise and peril of this extraordinary knowledge revolution.
Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary queer poet Nikki Giovanni as she reflects on her life and legacy.
The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.
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The documentary’s title translates as “to be and to have”, the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
