With plans to leave their small town, teenage loves Annie and Ben elope. Their big city plans are halted, though, when Annie’s parents have the marriage annulled. Ben moves to New York, while Annie stays in Iowa to help her family. Fifteen years later, both engaged to their respective fiancés, the two discover that their annulment was never finalized. They reunite to make their divorce legal, but begin to reminisce about what could have been. When romantic feelings resurface, Annie and Ben must decide if their past love could be the love of their future.

Nadia and Adrián starts their particular world war when she files to divorce him.

After taking a temporary job as a caregiver, a young woman realizes her employer and the house have a dangerous, dark past.

A dialogue free Romanian science-fiction spy-comedy that draws upon farce, satire and surrealism as it subversively deconstructs the spy thriller with the protagonist’s accidental discovery of a nuclear suitcase bomb and the subsequent fight over ownership between the rival powers of the criminals and the military.

The story of four young couples drawn to the remote dunes for off-roading in their extreme machines. But the outing turns into a night of terror when they are attacked by the Catcher, a skilled and brutal hunter of human specimens for alien science.

The partners are back and are in a tight spot! Francois is going through a moral crisis, and Rene is experiencing the same. But, honesty is not always the best policy. After being suspended for their actions, they return to face their far more crooked replacements.

Based on a stranger than fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. A young Sean Paul Lockhart (using the stage name ‘Brent Corrigan’) is a fresh-faced wannabe adult video performer. He is moulded into a star by Stephen (aka Bryan Kocis), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for money put him at odds with his boss, he also attracts the attention of a rival producer, Joseph Kerekes, and his unstable lover, Harlow Cuadra, who will stop at nothing to squash Cobra Video and steal its number one star.

On the last working day of Sheriff Wayne, his small town is attacked by blood thirsty ravens that eat human flesh. Meanwhile his wife Cynthia visits a farm where a Mennonite family lives to say farewell to her friend Gretchen and discloses a dark secret about the origin of the fierce ravens.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

Centred around a former tennis champ who swings with the girls and volleying straight sets with the rich and famous while set on owning his own tennis court.

A timid painter falls for a charming window arranger but his inexperience, her jealous boyfriend and her sudden disappearance pose romantic challenges.

Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…