What if the Doomsday Preppers were right all along? Hacking into urban infrastructures isn’t science fiction anymore – it’s in the news every day. A 90-minute docu-drama, “American Blackout” reveals in gritty detail the impact of what happens when a cyber attack on the United States takes down the power grid. The question is: when the lights go out, what do we do next.

In this post-apocalyptic-western, Alexander Dante has lived the past 10 years in exile for the killing of Edwin, his beloved brother. Then one day he’s astounded to receive a letter, purportedly from Edwin. The letter states Edwin now lives in the distant village shown on the enclosed map. At first, Alexander dismisses the letter as a hoax but there’s something about the letter that rings true. He treks through a hard and hostile land that at long last opens up into a tranquil village. There, he’s stunned to confront the impossible: his brother is very much alive. Alexander is overjoyed to see his brother but he is tormented as he knows he has killed him. Now Alexander must root out the truth — whatever the consequences.

A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.

When whites hunger after the gold on Ute Indian land, a bigoted young man finds himself forced into a peacekeeping role.

Follow Adam and Emma on their daily commute from the village of Langton to London, where they meet the same passengers every day. One morning, Adam breaks the unspoken taboo of talking to strangers on a train and invites the entire carriage to hold their own Christmas party together.

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.

Pulling his girlfriend Allison (Jennifer Seward) into the whirlwind of his ambitions, Trent (Kyle Dyck) is desperately on the run from contracted hitmen Henry (Brian Paulette) and Tim (Davis DeRock) as he slips into the deep, desolate backroads that criss-cross the empty rolling plains. Along the way Trent stumbles upon Ben (Jeffrey Staab), a nomadic drifter who now calls these roads “home,” along-side his wife Michelle (Christie Courville) as they wander in the vast openness that is the Flint Hills.

When Pete and Ellie decide to start a family, they stumble into the world of foster care adoption. They hope to take in one small child but when they meet three siblings, including a rebellious 15 year old girl, they find themselves speeding from zero to three kids overnight.

Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that he is not taken advantage of by people who forget that his extremely powerful intellect is harboured in the body and emotions of a child.

The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.

A vigilante network taking out corrupt officials draws the notice of the authorities.

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi’s father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father’s imminent return to the lake house, the continuation of Leevi’s studies abroad as well as Tareq’s complex relationship with his family in Syria.