Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.
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The documentary challenges what we have been taught about human evolution and the rise of early civilization.
Mary, a remarkable 90-year-old, defies norms with her zest for life. This documentary explores her journey through feminism, emigration, art, education, and sailing.
Tells the story of the death of eleven innocent people killed by the British Army on a Catholic estate in Belfast in 1971, and the fight by their relatives and survivors to discover the truth.
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater
Dick Proenneke’s simple, yet profound account of his 30 year adventure in the remote Alaska wilderness continues in this sequel to “Alone in the Wilderness”. Watch through his eyes as he continues to document with his 16mm wind-up Bolex camera, capturing his own amazing craftsmanship, the stunning Alaskan wildlife and scenery and even a visit from his brother Ray (Jake). His epic journey takes you on a vacation away from the hustle and bustle of today’s fast-paced society, and is a true breath of fresh air.
An unsettling and eye-opening Wall Street horror story about Chinese companies, the American stock market, and the opportunistic greed behind the biggest heist you’ve never heard of.
“Dark money” contributions, made possible by the U.S. Supreme Court’s Citizens United ruling, flood modern American elections – but Montana is showing Washington D.C. how to solve the problem of unlimited anonymous money in politics.
Starting in 1881 this film shows the personal battle between Lenin’s Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
Husband and wife team Greg and Felicity take a journey across Romania to try to answer one simple question – where is Dracula’s Castle? Along the way they struggle as fiction, history and legend all mix together to confuse the question, but they get to experience some of the incredible beauty and impressive castles of Romania.
Like his Swiss half-sister Jasmin, Dutch filmmaker Alex Pitstra is the child of a European mother and a Tunisian playboy father. The majority of their lives their father was absent, but after more than twenty years Alex invites Jasmin to travel to Tunisia with him. They want to reconnect with their Tunisian roots and find out how their father and his family relate to the ‘bezness’ phenomenon of North-African men roaming beaches and hotels, trying to seduce western women.