Mysterious deaths occur in a community where someone, or something, is brewing The Skull Wine, the oldest form of dark magic.
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Everyone’s favorite chainsaw-wielding psychopath, Leatherface, is back for more prom-night gore, and this time he’s joined by his bloodthirsty family. Four stranded yet carefree teens are taken in by a backwoods family, clueless of their host family’s grisly habits. The terrified youths, including sweet Jenny, try to escape from Leatherface and his crazed clan, including the bionic Vilmer.
Eccentric tycoon Jasper Whyte hosts a dinner at his mansion and announces that he will divide his money and give each guest a million dollars before the stroke of midnight. When his long-lost granddaughter suddenly arrives, Whyte changes his mind and proclaims that she will receive his entire fortune. A second lady appears at the estate, claiming that she is actually Whyte’s granddaughter, Doris Waverly, and the first woman is found murdered in her room! With each guest possessing a motive, the mystery of the killer’s identity briskly unfolds through a stirring series of surprises.
Nick is haunted by night terrors stemming from a tragic murder he saw when he was young. After inheriting an old toy shop, he discovers a cursed elf doll sealed inside an ancient chest with a naughty list of his family’s names written on it. He soon discovers that the elf was an evil conduit meant to unleash a supernatural killing spree during the Christmas Holidays by whomever set it free.
After incurring debts from his failed business venture in China, Zong Hua (Cheung) returns to Malaysia after a decade’s hiatus. The demoralised Zong Hua faces problems finding a job and tries hard to get used to things at home, including his estranged relationship with his step-father, Xiaotian, who runs a Cantonese opera troupe, and half-sister, Jing Jing (Cathryn Lee). Jing Jing is hostile towards Zong Hua as she always has the impression that the death of their mother was caused by the excessive fights between Zong Hua and his step-father.
A stone-encrusted body is unearthed at Pompeii, and people left alone with it keep dying of crushed skulls…
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
A family holiday turns into a fight for survival in the inhospitable wilderness of remote Scotland.
A horror movie about the mysterious happenings that happen to a pair of sisters after watching an unidentified video. Directed by Kim Tae-kyeong, Park Bo-yeong plays Se-hee who tries to save her sister Jeong-mi, her boyfriend Joo Won and Kang Byeol plays the sister.
The Draymen Estate has become an urban legend. Amongst the sinister stories of unsavoury locals and brutal violence, several people have apparently gone missing. Even the police won’t go there. Eter two naive student filmmakers with a well-meaning plan to make a sympathetic documentary of life on the estate. The unlucky duo quickly discovers that problems of drugs and crime in this community go way beyond the norm. This is a community which is about to present the students with material of unimaginable horror – turning their final project int their darkest nightmare.
At the beginning of the 1990s, famous tomb explorer Hu Bayi decided to retire and move to the United States with his girlfriend Shirley. But before his wedding, Bayi discovers his first love Ding Shitian, who supposedly had died in the “One Hundred Cave” 20 years ago, is actually still alive. Together with Shirley and his old exploration partner, Bayi unravels a terrible millennium-old secret…
Eight Mexican directors unite to bring tales of the most brutally terrifying Mexican traditions and legends to vividly shocking life. MEXICO BARBARO presents haunting stories that have been woven into the fabric of a nation s culture, some passed down through the centuries and some new, but all equally frightening. Stories of boogeymen, trolls, ghosts, monsters, Aztec sacrifices, and of course the Day of the Dead all come together in urban and rural settings to create an anthology that is as original as it is familiar and as important as it is horrifying.