Ever Deadly weaves concert footage with stunning sequences filmed on location in Nunavut, seamlessly bridging landscapes, stories and songs with pain, anger and triumph—all through the expressions of Tanya Tagaq, one of the most innovative musical performers of our time.

Russ McKamey is the creator of the world’s “most extreme haunted house” – McKamey Manor. He is also a manipulative abuser, according to three people who realize the horror is never over once you decide to enter the Manor.

An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

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Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.

Welcome to the captivating world of urban exploration, an international subculture of fearless thrill-seekers who lurk beneath city streets and trespass into long-abandoned buildings, defiantly searching for unseen treasures of modern civilization. Documentary filmmaker Melody Gilbert follows Max Action, Slim Jim, Katwoman and Turobzutek as they infiltrate aging lunatic asylums, government sites, faded tourist attractions, sewers, drains, and even the forbidden Catacombs in Paris. Many explore armed with only a camera, often snapping astonishingly beautiful photos.

What is home? And how do we find it? TINY follows one couple’s attempt to build a Tiny House from scratch with no building experience, and profiles other families who have downsized their lives into houses smaller than the average parking space. Through homes stripped down to their essentials, the film raises questions about sustainability, good design, and the changing American Dream.

No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

Forced onto the streets in her 50s, Mimi found “home” at a Santa Monica laundromat. Taking shelter there for 20 years, Mimi’s passion for pink, and living without looking back, has taken her from homelessness to Hollywood’s red carpets. This is the fascinating and moving story of one incredibly strong woman’ s survival against all odds.

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album “Speaking in Tongues.” The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.