Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

A young college student arrives in a sleepy Massachusetts town to research witchcraft; during her stay at an eerie inn, she discovers a startling secret about the town and its inhabitants.

When Madame Adelaide Bonfamille leaves her fortune to Duchess and her children — Bonfamille’s prize family of domesticated house cats — the butler plots to steal the money and kidnaps the heirs, leaving them out on a country road. All seems lost until the wily Thomas O’Malley Cat and his jazz-playing alley cats come to the Aristocats’s rescue.

After a tragic accident, six friends reunite for a caving expedition. Their adventure soon goes horribly wrong when a collapse traps them deep underground and they find themselves pursued by bloodthirsty creatures. As their friendships deteriorate, they find themselves in a desperate struggle to survive the creatures and each other.

Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.

In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.

Brendan and Darryl have both moved on with their lives following the events at the cabin in the woods; not unscathed however. Coming up on the anniversary, Brendan is still having nightmares that he feels will come true at any moment. His worse fears come to life when his wife and niece don’t return home one night

A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album “Speaking in Tongues.” The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.

After wandering a ruined city for years in search of food and shelter, two siblings find their way into one of the last remaining buildings. Inside, they find a man who will make them a dangerous offer to survive the outside world.

After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.

Tragedy struck when Father Abraham was ready to save the world from an evil menace using exorcism. Years later, he lives on a remote farm with his daughter, haunted by the faces of those he saved and those he could not. After finding that pale humanoid creature lurking in the woods, he shoots and cremates the monster. But he soon discovers that the beast was not alone; his troubles have only begun.

Monique leaves her family quarantine to help a friend who’s suffering from terrible nightmares – but she learns too late that the bad dreams are contagious, along with the demon behind them.