A Feature Documentary, featuring David Icke The ‘mad man’ who has been proved right again and again and again. David Icke has been warning for nearly 30 years of a coming global Orwellian state in which a tiny few would enslave humanity through control of finance, government, media and a military-police Gestapo overseeing 24/7 surveillance of a micro-chipped population. They called him ‘crazy’, ‘insane’, a ‘lunatic’, and he was subjected to decades of ridicule, dismissal and abuse. Oh, but how things change. Today his books are read all over the world and his speaking events are watched by thousands on every continent. Why? Because what he has been so derided for saying is now happening in world events and even mainstream scientists are concluding that reality is indeed a simulation. Almost every day something that David Icke said long ago is supported by happenings and evidence. As Mahatma Gandhi said: ‘First they ignore you, then they laugh at you, then they fight you, then you win.

From Adolphe Sax’s workshop to the legendary times of jazz and bebop, conquering the classical music stages, forbidden by Nazis and Communists and banned by the Pope: in its 170-year history the saxophone has always been the most seductive as well as the most feared musical instrument. Award-winning Canadian filmmaker Larry Weinstein illuminates and mythologizes the story of the saxophone, its most legendary players and its allegedly longstanding curse about saxophonists falling prey to the instrument’s dark powers.

In September 2012, the tiny prairie town of Leith, North Dakota, sees its population of 24 grow by one. As the new resident’s behavior becomes more threatening, tensions soar, and the residents desperately look for ways to expel their unwanted neighbor.

An eye-opening investigation into the making of Hollywood sex scenes, shedding light on the real-life experiences behind classic scenes of cinema and tracing the legacy of exploitation of women in the entertainment industry.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

A documentary about the impacts of climate change on the Republic of the Marshall Islands and its people. Most parts of the Marshall Islands are less than 5.9 feet above sea level. Forecasts predict the uninhabitability of the country by 2050.

By coincidence rather then by design the swiss chemist Albert Hofmann makes a sensational discovery in the spring of 1943. He realizes that he is dealing with a powerful molecule that will have an impact not only on the scientific world. THE SUBSTANCE – is an investigation into our troubled relation with LSD. Told from its beginnings until today.

Ted DiBiase Jr. takes a journey through pro-wrestlings past to tell the faith-based story of his father’s rise, fall and redemption.

‘In Football We Trust’ captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the “salvation” for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal expectations.

The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.

ZERO DEGREES is a remarkable collaboration between four of today’s most respected artists. Moroccan-Flemish SIDI LARBI CHERKAOUI is well known for his work with Les Ballets C. de la B. while AKRAM KHAN is world renowned for developing his own ‘contemporary Kathak’ style, winning numerous awards. For ZERO DEGREES they bring their unique styles together in this spellbinding piece of dance. Mercury Award winning composer/producer NITIN SAWHNEY adds his own East-meets-West sound with a specially commissioned score played live by four musicians, and Turner Prize winner ANTONY GORMLEY has contributed the staging – two life-size casts of the dancers. ZERO DEGREES explores borders – between countries, cultures and, most importantly, between life and death. It challenges, prompts and inspires, in a seamless fusion of dance styles, music and contemporary art.

Tracing a decade of East German football, survivors of the Cold War tell a story of betrayal, murder, and manipulation in a revealing insight into how the Stasi secret police saw football as more than a game.