The Amish farming community of Painter’s Mill, Ohio, is shattered when a series of brutal murders leaves the town with a sense of frailty and loss of innocence. Among the most affected by the tragedy was Kate Burkholder, a young girl who survived the terror and, as a result, left the Amish life behind. Fifteen years later, Kate returns to Painter’s Mill as its Chief of Police. Certain she’s come to terms with her past, Kate’s renewed life in her hometown is shattered when a murder investigation triggers deep-seated emotions from her childhood and exposes a dark secret that could destroy her.
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This enjoyably goofy’n’duffy piece of 70’s drive-in fluff centers on a six woman outlaw gang who prey on hapless backwoods motorists. The gals are owned and trained by the amiable, scruffy, pleasantly mellow Manson-like Benson (shaggy hairball Norman Klar), a charismatically breezy anti-establishment type who wants to raise enough money to purchase a bus so he and his female family can go to California.
A teenager prisoner awaits his release when two weeks before that happens he’s told that his mother is returned home. Meanwhile, he finds himself in love with a Sociology student, Ana, working in the penitentiary as an intern.
A thinly fictionalized account of a legendary movie director, whose desire to hunt down an animal turns into a grim situation with his movie crew in Africa
When Gema gets roped into meeting her fiancé’s parents for the first time, she grapples with wanting their approval and facing the secret he’s been keeping from them.
In a Copenhagen hotel, disparate lives intersect through accident or fate: A stewardess desperate for intimacy. An immigrant obsessed with revenge. A hotel manager lost in despair. A wife abandoned by her husband. A receptionist with blood on his hands. People meet in the intimacy of hotel rooms, secrets are revealed and unexpected events merge into a dramatic tale of love and longing.
After losing his job and the end of his marriage, Júnior returns to his father’s house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.
A night. Dozens of stories. A city. Lică, a taxi driver, is an all knowing guy, while Liviu, his friend, also a taxi driver keeps a lot to himself. They are completely different and their ideas about life and people only meet when they are eating and drinking at the bar. They are frustrated with their jobs. For Lică money is the most important thing, while Liviu thinks that a happy and fulfilling life represents more. They are trying to rediscover who they are and what they can do with their life, all while being on an on going adventure on the streets of Bucharest where they cross paths with all kinds of clients who end up having an impact on their lives, for better and also for worse.
Ibrahim came to Spain from Guinea Conakry and now his roots are in Madrid, where he lives with Mariama and works as a bricklayer. One day, the police arrest him and Ibrahim, who lacks a residence permit, is deported to his country. From that moment on, his only objective will be to return to Spain to reunite with Mariama and her daughter about to be born. After managing to cross Africa, he settles with some companions in Mount Gurugú, an immigrant camp that separates Africa from Europe. There he meets Aminata, a girl determined to jump the fence and reach Spain. But that is a physical feat that is not within everyone’s reach.
After an unprecedented global pandemic has turned the majority of humankind into violent “Infected,” a man gifted with the ability to speak the Infected’s new language leads the last survivors on a hunt for Patient Zero and a cure.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea’s direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.