A road movie about Yoko, a frustrated part-time worker who hitchhikes to her hometown of Hirosaki, Aomori, where she has not returned for 24 years, after hearing the news of her father’s death.
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A sequel to Kwak Kyeong-taek’s “Friend” in 2001, “Friends 2” is about three men who are gangsters based in the background of the year 1963 and 2010.
Jesús, a young hairdresser, works at a Havana nightclub for drag performers, and dreams of being a performer himself. Encouraged by his mentor, Mama, Jesús finally gets his chance to take the stage. But when Angel, his estranged father, abruptly reenters his life, his world is quickly turned upside down. The macho Angel, recently released from a 15-year stint in prison, tries to squelch his son’s ambition to perform in drag. Father and son clash over their opposing expectations of each other, struggling to understand one another and reconcile as a family. Shot in a gritty neighbourhood far from the Havana most tourists know, Viva is a heartrending story of music, performance and survival.
On the Arabian Peninsula in the 1930s, two warring leaders come face to face. The victorious Nesib, Emir of Hobeika, lays down his peace terms to rival Amar, Sultan of Salmaah. The two men agree that neither can lay claim to the area of no man’s land between them called The Yellow Belt. In return, Nesib adopts Amar’s two boys Saleeh and Auda as a guarantee against invasion. Twelve years later, Saleeh and Auda have grown into young men. Saleeh, the warrior, itches to escape his gilded cage and return to his father’s land. Auda cares only for books and the pursuit of knowledge. One day, their adopted father Nesib is visited by an American from Texas. He tells the Emir that his land is blessed with oil and promises him riches beyond his wildest imagination. Nesib imagines a realm of infinite possibility, a kingdom with roads, schools and hospitals all paid for by the black gold beneath the barren sand. There is only one problem. The precious oil is located in the Yellow Belt.
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
An ex-con trying to find work in a new Depression is lured back to a life of crime, but his gang passes the point of no return once they become fugitives.
When maladjusted orphan Jesse vandalizes a theme park, he is placed with foster parents and must work at the park to make amends. There he meets Willy, a young Orca whale who has been separated from his family. Sensing kinship, they form a bond and, with the help of kindly whale trainer Rae Lindley, develop a routine of tricks. However, greedy park owner Dial soon catches wind of the duo and makes plans to profit from them.
Bonnie and Clyde is based on the true stories of the gangster pair Bonnie Parker and Clyde Barrow who in the 1930s began robbing banks in U.S. cities until they were eventually killed. The film is a major landmark in the aesthetic movement known as the New Hollywood.
After drag racing his vintage convertible around Palm Springs, a retired NASA test pilot (William Shatner) loses his license. Forced to take public transportation, he meets Caroline (Jean Smart) and learns to navigate love and life again.
The journey of a young IFS officer, belonging to a prominent family of patriots, who gets embroiled in a dangerous personal conspiracy while far from her home turf, at a career-defining post.
Cleveland ‘Stack’ Stackhouse is a guard with the Texas Correctional Youth Authority who witnesses the cycle of destructive choices and racial tensions among female teen offenders and decides to do something about it. He gathers African-American, Latina and Caucasian teens, and organizes a multi-racial track team behind the bars of the prison. Participation in Stack’s track team not only breaks down the racial divides between the girls, but puts them on a path to turn their lives around.
Thirteen-year-old Marek shoots videos on social themes, making him an outsider among his classmates. At home his peaceful relationship with his mother is disrupted by his mother’s new acquaintance. In the most sensitive phase of his life, Tereza enters his path.
