As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

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Halfway between a sports documentary and an conceptual art installation, “Zidane” consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.

In the final days of the Afghanistan War, 12 veterans fly to the Middle East and spend the next ten days evacuating as many American citizens, permanent residents, and special immigrant visa holder Afghan refugees as possible before they, and the Americans and Afghans who served alongside them for years, run out of time. An emotional, brutal, and honest account of what really occurred on the ground in the waning hours of the war that defined a generation of Americans

Dennis Rodman is on a mission. After forging an unlikely friendship with North Korean leader Kim Jong-un, he wants to improve relations between North Korea and the US by staging a historic basketball game between the two countries. But the North Korean team isn’t the only opposition he’ll face… Condemned by the NBA and The Whitehouse, and hounded every step of the way by the press, can Dennis keep it together and make the game happen? Or will it go up in a mushroom cloud of smoke? For the first time, discover the true story of what happened when Dennis Rodman took a team of former-NBA players to North Korea and staged the most controversial game of basketball the world has never seen.

A psycho-geographic journey through London and its history, as undertaken by an unseen narrator and his companion, Robinson, at the time of the 1992 general election.

Broadway Idiot follows Green Day’s Billie Joe Armstrong from a punk rock concert at Madison Square Garden to the opening of his musical American Idiot on Broadway – only ten blocks away, but worlds apart. From behind the curtain share in the crazy journey of turning the mega-hit album into a punk rock musical – and ultimately see how the world of theater transformed Billie Joe.

In Third Reich, the abuse of drugs made commanders and soldiers feel invincible. The Führer himself took them on daily basis. This is the unbelievable story of the D-IX project and of methamphetamines, which, abundantly furnished to soldiers, changed the course of history.

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

Few artist portraits give us the privilege of getting as close to the painter as if we had free access to his studio. Over a period of three years, Pepe Danquart got to accompany the painter Daniel Richter, watching him paint, negotiate with his gallerist, talk to his publisher and joke with fellow artist Jonathan Meese. Danquart interviews collectors, attends auctions and even visits record shops.

Ethiopian Daniel Hoek has no doubt in his mind that if his Dutch father had not abandoned him he would never have turned to crime. His Dutch father, Joop Hoek, has no doubt in his mind that if his Dutch-Indonesian father had not abandoned him he would have grown up to be a different person. In The Bastard two separate stories of an adult child and an elderly father are inextricably intertwined. Together they tell a harrowing tale about fate and DNA and about how the lack of a father influenced these lives.