Marisol is the national rhythmic gymnastics coach, methodical, demanding and authoritative. The World Championship is approaching and she places all her gold medal hopes on Angelica, the team’s most promising newcomer. Two weeks before the final, Marisol discovers that her husband is having an affair with a much younger woman with whom she is expecting a child. Marisol does not contemplate failure, so she embarks on a desperate race to win him back, without taking into account her motives and feelings. Her pain is transferred to her tatami, where she becomes even more implacable towards Angelica, in whom she places her hopes of success. At this point, winning gold is all that’s left for him.
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In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
Unfolding over the course of Valentine’s Day in New Jersey, a young intersex sex worker must run from the mob after a drug deal goes sideways, forcing him to confront his past.
After old enemies kill his family, a former mafia enforcer and his feisty daughter flee to Milan, where they hide out while plotting their revenge.
A debt collector strikes a deal with a debt-ridden woman struggling to care for her ailing father: he will take care of her bills if she agrees to date him.
The story takes place in LA, in the house of four housemates, three women, MJ, Frankie and Amanda, and an homosexual, Banks. MJ is the kind of girl to whom money means everything and to whom others mean almost nothing. Frankie is a social worker and Amanda, a painter. Banks is an unfortunate actor. The problem is that Frankie is deeply in love with Taylor, and he loves her back, but he’s sleeping with MJ, for sex. MJ will become more and more jealous of Frankie as days flow…
Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter’s pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.
When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.
Set in the late 21st century, an MRI scanner is introduced at the National Research Institute of Police Science’s 9th Forensics Laboratory. The machine is able to scan the memories from even the deceased. As ethical questions arise over the machine’s use, the 9th Forensics Laboratory members, including rookie Ikko Aoki and Chief Tsuyoshi Maki, struggle to solve cases.
They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them – Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn’t have the faintest idea that he has fallen into a trap.
