Maurice took advantage of his wife business trips by sleeping with his mistress. He never knew that a knock at the door when change his life.
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Professor Charles Bando is estranged from his family, who blame him for the kidnapping of his grandson. God works in miraculous ways, including using a piece of glass from the Holy Land, to bring healing and reconciliation.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
Len is a Surf Lifesaving champion, a legend in the cloistered surf club just like his father. When the younger, faster, and fitter Phil arrives at the club, Len’s legendary status starts to crumble. Then Len sees Phil arriving in the company of another man. Phil is gay. After the annual awards dinner, Len finds Phil in the Club House locker room and violently attacks him. To Len’s surprise, Phil refuses to rat on Len about the beating. When Phil wins the annual Surf Lifesaving competition, Len’s defeat is final. In an act of revenge, Len gets Phil drunk and subjects him to a series of humiliating acts. But, the hatefulness forces Len to come face to face with a fundamental question: can he accept the truth about his own sexuality.
The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice. And when he resurfaces, she decides to follow him setting of a chain of events that bind them together…
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a ‘live in the now’ mentality, Cristina’s second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina’s journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love… what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
Ranch owner MacGregor has seven sons and oldest Gregor leads his brothers to Las Mesas, a small town where they want to sell horses. They get into trouble with local people who are related with evil Santillana. After getting imprisoned and losing their horses they decide to go after Santillana’s gang.
Elza lives in a small town in the Republic of Kalmykia on the Caspian Sea. Another year comes to an end, it’s cold and the steppe is covered in a thin layer of snow. When her husband, who makes a living from illegal fishing, asks her one night what she did during the day, she lies. She wasn’t at her mother’s, but at the bus stop. She thought of leaving – to find out what it might be to escape the infinite expanse of her dreary small world. But she didn’t dare; instead she stays and withdraws into herself, unconcerned by who might see. One day, her husband doesn’t return from a dangerous boat trip. It is said that a fisherman only returns if he has a woman waiting for him and that seagulls are the souls of the missing. At the start of a somewhat unplanned pregnancy, widowed and alone, Elza wanders ever further through the city, plotting a path between tradition and the contemporary until she’s no longer on familiar ground.
A crooked salmon fisherman tries to steal his best friend’s fiancée and put him out of business.
