It is New Year’s weekend and the friends of Peter (Fry) gather at his newly inherited country house. Ten years ago, they all acted together in a Cambridge University student comedy troupe, but it’s less clear how much they have in common now.Peter’s friends are Andrew (Branagh), now a writer in Hollywood; married jingle writers Roger (Laurie) and Mary (Staunton); glamorous costume designer Sarah (Emmanuel); and eccentric Maggie (Thompson), who works in publishing. Cast in sharp relief to the university chums are Carol (Rudner), the American TV star wife of Andrew; and loutish Brian (Slattery), Sarah’s very recently acquired lover. Law plays Peter’s disapproving housekeeper, Vera; and Lowe, her son Paul. Briers appears in a cameo role as Peter’s father.

Take a peak under the surface of any gay man, and who knows what you’ll find? Confessions, an anthology of disclosures from the recesses of the gay male psyche, goes some way to answer that very question. Spanning themes that are dark, sexy, intense, funny, romantic and shocking, Confessions turns a spotlight on characters you don’t often get to see- but will not want to turn away from.

A teen must resort to extreme measures to protect her family from a supernatural entity.

Serial killers, ghostly phone calls, inner demons, otherworld monsters and creepy stalkers collide in this frightening anthology. Six of horror’s most promising new directing talents join forces to pay homage to classic horror in the tradition of “Creepshow”, “Tales From the Crypt”, “Tales From the Darkside”, and “Trilogy of Terror,” and weave an unforgettable, disturbing tapestry of terror.

A magical tale about a young photographer who falls madly in love with a woman he can never have, except in his dreams. Late one night, Isaac is summoned by a wealthy family to take the last photograph of a young bride, Angelica, who mysteriously passed away. Arriving at their estate, Isaac is struck by Angelica’s beauty, but when he looks through his lens, something strange happens – the young woman appears to come to life. From that moment, Isaac will be haunted by Angelica day and night.

An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.

An alcoholic Bosnian poet sends his wife and daughter away from Sarajevo so they can avoid the troubles there. However, he is soon descended upon by a pair of orphaned brothers. The brothers have escaped a massacre in their own village and have come to the Bosnian capital in search of a long lost Aunt. The poet befriends the boys and together they try to survive the horror of the siege of Sarajevo.

José Ferrer won the Oscar for Best Actor for his portayal of the swordsman-poet using his silver tongue to woo the woman he loves for another man. Cyrano de Bergerac is a play written in 1897 by Edmond Rostand. Although there was a real Cyrano de Bergerac, the play is a fictionalization of his life that follows the broad outlines of it. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the Alexandrine format, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene. The play has been translated and performed many times, and is responsible for introducing the word “panache” into the English language.

Set at the end of the Civil War, widowed mother of 3 Belle Gatlin Barlowe faces uncertainty as she attempts to defend her family’s land by any means necessary. When the corrupt bank that runs their town pushes Belle into becoming an outlaw, the stakes become personal, setting off a chain of events that force her to question whether it’s better to be good or to survive.

Recruited to assist Montreal police in their desperate search for a serial killer who assumes the identities of his victims, FBI profiler Illeana Scott knows it’s only a matter of time before the killer strikes again. Her most promising lead is a museum employee who might be the killer’s only eyewitness.

Two skeptic researchers investigate a mother’s claim that an unknown presence may be trying to communicate with her 7-year-old daughter.

It’s July 1895 and the New York elite have decamped to Newport, Rhode Island for a summer of balls, garden parties, and yacht races. Covering these events for the women’s pages of the Newport Observer is Emma Vanderbilt-Cross, a fearless twenty-one-year-old writer with family ties to the wealthy Vanderbilt family.