During her birthday celebration, Tess and Logan find themselves swept up in a world that isn’t always what it seems when the headlining magician at the Magic Manor winds up dead.
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After months without pay, the already disgruntled crew on a Turkish cargo ship arrives in an Egyptian port and learns that the Port Authority is foreclosing on them. Ordered to anchor offshore, the remaining skeleton crew has their passports seized and must maintain the vessel until its owner’s debts are paid. Tensions quickly arise between the authoritarian Cypriot captain, his devoutly religious second-in-command, an affable cook, and a trio of newcomers to the ship—a pair of druggie ne’er-do-wells and the near-mute, hulking Kurd. As months pass, food and entertainment dwindle, alliances shift, and the men take out their raw frustration on one another.
We’re in the middle of a heat-wave in Fenland England. Goob Taylor has spent each of his sixteen summers helping Mum run the transport cafe and harvest the surrounding beet fields. When Mum shacks up with swarthy stock-car supremo and ladies’ man gene Womack, Goob becomes an unwelcome side thought. However Goob’s world turns when exotic beet picker Eva arrives. Fuelled by her flirtatious comments, Goob dreams of better things.
Centers on a murder that takes place at a high school reunion, unfolding during a snowstorm that leaves guests trapped in an isolated mansion.
Nineteen-year-old Danny Flynn is imprisoned for his involvement with the I.R.A. in Belfast. He leaves behind his family and his sixteen-year-old girlfriend, Maggie Hamill. Fourteen years later, Danny is released from prison and returns to his old working class neighborhood to resume his life as a boxer.
A former smuggler attempts to start his life anew and repair his relationship with his estranged brother after his release from prison.
Two down on their luck childhood friends struggle to figure out their lives. Ray a drummer in a rock and roll band, and Owen an aspiring film maker spend most of their time working menial jobs and drinking. When Owen’s fiancé Lynn breaks off their engagement he finds himself spiraling, and allows Ray to come along with him to a two bit film festival he has been invited to in Kansas. There Owen makes several attempts to patch up his relationship, while Ray scams them into a deluxe suite at the local Four Seasons hotel by posing as Wally Shawn’s son (who happens to be receiving a lifetime achievement award) and generally causes a major ruckus. By the end, Owen decides to make some changes in their relationship and in his life.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
