In the 1970s, a foundling lad, Patrick “Kitten” Braden, comes of age by leaving his Irish town for London, in part to look for his mother and in part because his trans-gender nature is beyond the town’s understanding.

A Los Angeles District Attorney (Gene Hackman) is attempting to take an unwilling murder witness (Anne Archer) back to the United States from Canada to testify against a top-level mob boss. Frantically attempting to escape two deadly hit men sent to silence her, they board a Vancouver-bound train only to find the killers are on board with them. For the next 20 hours, as the train hurls through the beautiful but isolated Canadian wilderness, a deadly game of cat and mouse ensues in which their ability to tell friend from foe is a matter of life and death.

When a band of brutal gangsters led by a crooked property developer make a play to take over the city, Master Ip is forced to take a stand.

Inspired by true and harrowing events, an ordinary man finds his world suddenly torn apart as devastating wildfires rip through the surrounding countryside. With precious moments ticking by, he must flee with his son and pregnant wife if they have any hope of surviving the rapid forces of mother nature.

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren’t prepared for the madness that lurks within.

Can one act justify a lifetime of wickedness? Explore the darkest confines of the soul from Robert Conway’s film, “Redemption.” A genre busting Western where there is no law, no good guys; only the bad and worse. Frank Harden is no stranger to the unlawful west, he is a killer. However, because of a tragic event he must battle his own worst enemy, himself.

After hitting a breaking point, Hannah’s inner thoughts physicalize into a monstrous creature that threatens to upend her life.

A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She’s not his mother, he’s not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother’s love for her child.

A free-spirited surf instructor volunteers herself as a strictly sexual – or so she thinks – rebound for a heartbroken, down and out writer.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

A couple on a first date clash over astrology.

The unexpected difficulty of becoming mothers through the means of artificial insemination slowly erodes the relationship between Katja and Isabella.