It’s 1983, and hopeless junkie Dick gets an unwelcome visit from the past – his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.
You May Also Like
According to the police, Negar’s father committed suicide. Having had a happy life, Negar suspects that his death has not happened the way it seems. She starts unfolding the truth through an unconventional investigation.
Tomás Kóblic, a former pilot and captain of the Argentinian Navy, disobeys an order and becomes a fugitive in order to survive. He chooses to hide in a small town in the south of the country, where his presence will catch the attention of the unscrupulous and violent local marshal.
Sabrina’s perfectly planned high school reunion goes south when a monster keeps killing all the guests in this horror-comedy.
Part of the 12 Western feature films to be made in 12 months during 2020: the film tells the story of Tate Butler, a man who accidentally earns a reputation as a gunfighter after one such duel and must from then out face various gunfighters trying to make a name for themselves by challenging him, while trying to escape this wild life for the girl he loves.
A Disgruntled elf named ” Stuffy” will get fired, and a new zombie boss will arise. He will seek revenge on the North Pole. The robot stuffed zombies he creates will not be after brains, but after presents.
Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can’t identify the young woman.
During a trip to Germany to scatter their grandfather’s ashes, German-American brothers Todd and Jan discover Beerfest, the secret Olympics of downing stout, and want to enter the contest to defend their family’s beer-guzzling honor. Their Old Country cousins sneer at the Yanks’ chances, prompting the siblings to return to America to prepare for a showdown the following year.
Richard Titties, an out-of-shape martial arts wannabe, is shot into an alternate dimension after his girlfriend Cynthia is kidnapped. Her captors are a group of tittie obsessed madmen led by Zeefros, the master of the supernatural realm. Zeefros kidnaps women for the sole purpose of seeing their titties. Richard joins up with his sister Raine Brown, a Gorilla and a gaggle of other strange characters, in order to save his girlfriend. He must search inside, overcome his futile martial arts skills, and find the kung fu fighter within if he is to save himself and all those that dwell in the alternate world.
Set in the 1970’s, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family–wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)–from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe’s spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein’s memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.
Rufus T. Firefly is named president/dictator of bankrupt Freedonia and declares war on neighboring Sylvania over the love of wealthy Mrs. Teasdale.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.