The first World War rages on when a group of American soldiers find a mysterious artifact that can summon the ancient evil of the Krampus. After the men are killed in action, the artifact is sent to the commanding officer’s widow who is a teacher at a small-town orphanage. The orphans accidentally summon the Krampus and the teacher, and her pupils are forced to battle this ancient evil.

Midler is the rock-and-roll singer Mary Rose Foster (known as the Rose to her legions of fans), whose romantic relationships and mental health are continuously imperiled by the demands of life on the road.

Jovana Fey (Sophie Desmarais) is a novelist. Her first two books received positive reviews, but were a commercial failure. Her third, Don’t Read This on a Plane, has just been released – an amusing, risqué chronicle of a woman’s dalliances with a hundred women. Jovana hopes it will bring the success she craves.

Based on Mariane Pearl’s account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl’s life and death.

Living alone since her beloved mum died, 12-year-old Georgie fills the flat they shared with her own special magic. But when her absent father Jason turns up out of the blue, she’s forced to confront reality.

Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge — of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them.

A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.

Two teenage friends conspire to find out how much their youthful sensuality can disrupt one of their households, headed by a dentist and his mentally-ill wife.

35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper’s personal advertisement. The advertisement has been placed by ‘lesbian-curious’ Helen Cooper, a thirtysomething art gallerist.

A writer of horror stories is invited to a “monster club” by a mysterious old gentleman. There, three gruesome stories are told to him; between each story some musicians play their songs. In the end, it’s recognized he’s the greatest monster of all …

Olka is seventeen years old. For years, she had been looking for her mother. Her constant escapes from the orphanage landed her in a reformatory. She only wants her mother back.