Prey to his desire for women, Richard O. explores the sinuous mysteries of eroticism in a Paris full of summer inhabitants in the torrid month of August.
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The movie is set in a stately old home in Birmingham, Alabama. The story revolves around efforts by assorted sinister characters to seize control of the century-old mansion from the humble owner. —Anonymous
After suffering the loss of a partner, a woman contemplates the various methods of suicide.
When middle-aged suburban couple, Laura and Bruno are gifted a remote couples’ retreat for their anniversary, they decide to give their failing marriage one last shot before calling it quits. Arriving in an idyllic sanctuary nestled in the mountains, Laura and Bruno uncomfortably enter a world of laughter workshops, tantric dance, sexual liberation and emotional animals, helmed by the charismatic guru Bjorg Rassmussen. When new temptations start to take hold, the couple are pushed to the brink forcing them to look within to find what they really want. But will they bare all to get it?
Trisha has obsessed over her wedding since childhood, but now she’s stuck between the man she wants, the man who wants her, and the man she chose.
Widow Chloe travels to Japan for work where she is welcomed by an old friend, Toshi. Sliding between the melancholy of loss and the awe of perspectives changed, Chloe wanders an unfamiliar landscape where love has carved all the guiding grooves.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.
When Myriam, the mother of two young children, decides, despite the reluctance of her husband to resume his activity in a law firm, the couple is looking for a nanny. After a severe casting, they engage Louise, who quickly conquers the affection of children and gradually occupies a central place in the home. Gradually the trap of mutual dependence will close, until the tragedy.
