In the shadow of the Range Rover murders, drugs, violence and revenge continue to reign in a criminal underworld even darker and deadlier than before as a new generation of Essex Boys begin to carve their bloody mark.

Five years ago David’s life came undone when his young daughter fell victim to a brutal attack. The subsequent emotional fallout cost him his marriage and his job. Handicapped by guilt and anguish David abandoned his past and alienated himself. He took a second rate job as a security guard and plodded on – his wounds concealed but unhealed. All it would take is a scratch for them to open wide and consume him…. During a routine security inspection, David discovers a young Serbian girl stowed in the cab of a truck. Her sister and other girls have been murdered – all victims of a perfidious human trafficking racket. She pleads for his help. This is his chance at retribution. This time he will champion the young girl that places her trust in him. But David is taking on Goliath and he has his back against the wall and a gun at his head. Enlisting the help of a woman’s refuge counselor, David embarks on a do or die mission to save the girl.

An orphaned boy named Tomás is adopted by Maire O’Donnell to live on a whimsical Irish isle filled with new friends, secret caves and a lost baby pup seal stranded on the coast. But when Maire’s reluctant husband Alec refuses to accept Tomás as his own son, the boy drifts down a fateful path of adventure and self-discovery, illuminating how rainbows can shine around – and within – us all.

David Samuels is from an intellectual Jewish family from the posh Amsterdam Old South, where he is often mistaken as Moroccan because of his dark hair. David is a remarkable man on a mission: to find a ghetto fabulous queen with great tits and thick buttocks. His parents and friends declare him mad, but David continues unabated. His search leads him to the Bijlmer, where, after some wild adventures he is left disappointed. Will David ever find his ideal woman – a large, dark sex goddess with booty and brains?

French secret agent Joss Baumont is sent to kill the president Njala of an African country. However, a counter-order is given before he can execute his mission and he is abandoned in the hands of foreign authorities. He escapes and seeks revenge by pursuing what was his original mission.

A drama based on the experiences of Agu, a child soldier fighting in the civil war of an unnamed African country. Follows the journey of a young boy, Agu, who is forced to join a group of soldiers in a fictional West African country. While Agu fears his commander and many of the men around him, his fledgling childhood has been brutally shattered by the war raging through his country, and he is at first torn between conflicting revulsion and fascination Depicts the mechanics of war and does not shy away from explicit, visceral detail, and paints a complex, difficult picture of Agu as a child soldier.

A thriller crime comedy directed by Wolfgang Murnberger.

A touching mother-daughter relationship that reflects the modern South Africa.

A charming romance develops between a boy with one eye and an overweight girl, though when she loses weight after going to college, their relationship is tested in devastating ways they never dreamed would happen.

Tells the autobiographical story of the director, Dylan Reid, testing positive for Huntington’s Disease. The film follows Dylan as he discloses his diagnosis to his close friends but omits the information from his new girlfriend, Lizzie.

In the wake of a nuclear war, a young woman survives on her own, fearing she may actually be the proverbial last woman on earth, until she discovers the most astonishing sight of her life: another human being. A distraught scientist, he’s nearly been driven mad by radiation exposure and his desperate search for others. A fragile, imperative strand of trust connects them. But when a stranger enters the valley, their precarious bond begins to unravel.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.