In 1953, a sensitive French boy finds out from a neighbor that his family’s Jewish. François Grimbert becomes a physician, and gradually peels the layers of his buried family history which resulted in his difficult upbringing, raised as Catholic by his “Aryan” appearing parents. His athletic father labored to stamp out stereotypical Jewish characteristics he perceived in his son, to keep the family’s many secrets, as most relatives fought in World War II, and later were hauled off to labor and death camps by the Gestapo.
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Neerja is a portrayal on the life of the courageous Neerja Bhanot, who sacrificed her life while protecting the lives of 359 passengers on the Pan Am flight 73 in 1986. The flight was hijacked by a terrorist organization.
A heightened homage to the City of Angels, Electric Slide riffs on the real-life story of Eddie Dodson, the notorious “Gentleman Bank Robber.” With a debonair sophistication and a serious talent for flirt, Dodson managed to lure money from mesmerized female tellers at over 60 banks during an epic spree in the 1980s.
A young widow still grieving over the death of her husband finds herself being comforted by a local housepainter.
When Astrid Lindgren was very young something happened that affected her profoundly, and this combination of both miracle and calamity came to shape her entire life. It was an event that transformed her into one of the most inspiring women of our age and the storyteller a whole world would come to love. This is the story of when a young Astrid, despite the expectations of her time and religious upbringing, decided to break free from society’s norms and follow her heart.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma’s marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora’s interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking.
Historical epic. The triumphs and tragedy of the Egyptian queen, Cleopatra.The winner of four Oscars, this epic saga of love, greed and betrayal stars Elizabeth Taylor as the passionate and ambitious Egyptian queen who’s determined to hold on to the throne and seduces the Roman emperor Julius Caesar (Rex Harrison). When Caesar is murdered, she redirects her attentions to his general, Marc Antony (Richard Burton), who vows to take power — but Caesar’s successor (Roddy McDowall) has other plans.
A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.
Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school’s operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There’s a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?
Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
A retired thief swears revenge on the lunatic who murdered his brother and partner, while going on the run with the loot they stole.
