While waiting for the brain surgery of his daughter Angela, victim of a motorcycle accident, the surgeon Timoteo recalls his torrid affair with and passion for Italia, a simple woman from slums in the periphery of the big city where he lives. The ghost of the beloved and sexual object of desire Italia chases him in his memories.
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Rex is a loner, and when he’s told he doesn’t have long to live, he embarks on an epic drive through the Australian outback from Broken Hill to Darwin to die on his own terms; but his journey reveals to him that before you can end your life, you have to live it, and to live it, you’ve got to share it.
THE WAR WITHIN is a unique fantasy that takes viewers to a world that only God can see; the world of the inner man. Michael Sinclair (Brett Varvel) is a syndicated cartoonist whose dream of a perfect life is upended when tragic events transform his dream into a nightmare. The result is a war that wages within his soul which is personified by six members; Mind, Memory, Emotion, Will, Conscience, and Heart. The ensuing battle for control adversely effects his relationship with his wife Amy (Rebecca Reid) and causes Michael to doubt his faith in God. But in the midst of this spiritual test, Michael discovers that victory is found in surrender. As viewers follow the quest for answers inside of Michael, they may discover their own war within.
Metin is a small time hustler in a Stockholm suburb, filled with big dreams but bogged down by the circular world of street crime. Things change when his secret diary becomes a hot item for a posh book publisher, and Metin must decide if he’s really up to the challenge that is leaving his criminal life behind.
Jo’s world is thrown into utter disarray when her wife Amanda passes away and she starts chasing a dream that she and Amanda had once shared – starting a family together. Jo asks her late wife’s brother, Jamie, to be her sperm donor and craziness ensues.
On the day of their Father’s 70th birthday party, four siblings come to terms with the publication of a novel written by the youngest sibling, that exposes the family’s most intimate secrets.
1965: Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face “on the scene”, a deep and philosophical discussion about marriage, homosexuality and other social taboos begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
Daphne is a young woman negotiating the tricky business of modern life. Caught in the daily rush of her restaurant job and a nightlife kaleidoscope of new faces, she is witty, funny, the life of the party. Too busy to realise that deep down she is not happy. When she saves the life of a shopkeeper stabbed in a failed robbery, the impenetrable armour she wears to protect herself begins to crack, and Daphne is forced to confront the inevitability of a much-needed change in her life.
Lee Hyeong is a talented songwriter. He happens to connect people who are not good with love. Those include Hyeong-Gyeong who wants to become a singer, but she suffers from stage fright. Scully is a high school student. She helps Lee Hyeong’s spirit. Chan-Young is a colleague of Lee Hyeong and he likes Hyeong-Gyeong, but in vain.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Pleasantly plump teenager, Tracy Turnblad and her best friend, Penny Pingleton audition to be on The Corny Collins Show – and Tracy wins. But when scheming Amber Von Tussle and her mother plot to destroy Tracy, it turns to chaos.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
