Claudia Moratti, a romantic writer travels to the ends of South America looking for the house of her recently deceased boyfriend. As she enters this southern world she finds herself involved in the investigation of a local policeman that points to her boyfriend, a horror writer himself, as the responsible of seven cases of disappeared women in the area. The violent history of the town and the dark memories of the military dictatorship come to surface as the characters involved reveal their true intentions.
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Lucky Bastard is a “found footage” thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the “Lucky Bastard” porn cameras for a fresh take on the “found footage” genre
A young woman is committed to a psychiatric hospital and claims her newborn was stolen by a dark cult.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they’re hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
Two bank robbers, Dennis and Hal, are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they stash the cash in Hal’s recently-deceased mother’s coffin. Taking the coffin, they turn to Hal’s father and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott.
A research scientist (William Hurt) explores the boundaries and frontiers of consciousness. Using sensory deprivation and hallucinogenic mixtures from native American shamans, he explores these altered states of consciousness and finds that memory, time, and perhaps reality itself are states of mind.
A member of the English upper class dies, leaving his estate and his business to an American, whom he thinks is his son who was lost as a baby and then found again. An Englishman who thinks he is an Indian comes to believe that he is actually the heir. He comes to hate the American who is his boss, his friend, and the man who has stolen the woman after whom he lusts.
Four student filmmakers set out to explore an abandoned building famous for its connection with the occult, but as their journey becomes littered with strange behavior and unexplained phenomena, it becomes clear the horror they are attempting to document may already be lurking among them.
When a young rape victim takes justice into her own hands and becomes a serial killer, it’s up to Dirty Harry Callahan, on suspension from the SFPD, to bring her to justice.
Sam and her friends are terrorised during a party by a group of young men on a desperate hunt for something in her house.
Lizzie Borden Took An Ax chronicles the scandal and enduring mystery surrounding Lizzie Borden, who was tried in 1892 for axing her parents to death. As the case rages on, the courtroom proceedings fuel an enormous amount of sensationalized stories and headlines in newspapers throughout the country, forever leaving Lizzie Borden’s name in infamy.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
