The death of the Kimbrough family matriarch affects the three male survivors of the clan. Widower Easy tries to reconnect with his old flame, Marg. Eldest son and struggling musician Guy moves back to town, feeling guilty that he missed the funeral. His brother, Beagle, who was his mother’s caretaker, falls for Marg’s granddaughter, Georgia, a chronically ill girl who fears her time is growing short.
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Bored with her social butterfly lifestyle, Victoria Tremont longs to find that special someone. Naturally, when a handsome stranger walks into the coffee shop where she works, she turns on the charm. But when he fails to respond to her flirting the way men usually do, she’s perplexed. She finds out that he runs a ministry that builds affordable housing, and sees that if she wants to get his attention, all she has to do is volunteer. So what if it’s a faith-based ministry. Pretending to be a “church person” isn’t any different than pretending to like sports or a guy’s friends, right?
Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl’s diptych about the inescapability of the past and the pain of finding yourself.
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