Quasimodo, the hunchback bellringer of Notre Dame’s cathedral, meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo’s guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda’s in love with a handsome soldier. When a mob mistakes her for a witch, it’s up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.
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The true-life story of boxer-turned-priest. When an injury ends his amateur boxing career, Stuart Long moves to Los Angeles to find money and fame. While scraping by as a supermarket clerk, he meets Carmen, a Sunday school teacher who seems immune to his bad-boy charm. Determined to win her over, the longtime agnostic starts going to church to impress her. However, a motorcycle accident leaves him wondering if he can use his second chance to help others, leading to the surprising realization that he’s meant to be a Catholic priest.
Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
An un-ethical DEA agent does everything in his power within and outside the law to catch a cocaine kingpin.
Romeo, a hopeless romantic with emotionally-fueled impulsiveness, meets Juliet, an abused and desperate girl looking for anyway to escape. Together, destined for tragedy.
After being stood up, Abbey gets inspired to open her heart in a letter, put it in a bottle and toss it out to sea. Months later, a man fishing discovers it and opts to reach out.
When an engaged couple can’t agree on anything, the mother of the groom (Linda Gray) hires a wedding planner (Danica McKellar) and an event planner (Paul Greene) to help put together the wedding of their dreams. The two planners are as different as night and day, but as they too learn to compromise, they discover opposites do indeed attract and can combine to produce incredible results!
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell aboard the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny.
Introverted Ricardo Perez likes to approach the world in a very subtle manner, trying not to upset anyone or cause any problems for himself. But to his surprise, he is the prime candidate for accomplishing God’s will due to the neglect of others. This presents an internal spiritual conflict within himself. Will he take the challenge by standing up for himself, his family and his faith or will he succumb to the fears of the flesh?—Alfred Castillo Jr. & LaMarcus Tinker
Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.
Thomas, a blasé young man, spends his nights in clubs and his days in bed. Until his father, Dr. Reinhard, fed up with his son’s escapades, cuts him off completely and forces him to take care of one of his young patients. Mar- cus, 12, was born with a serious congenital disorder. He lives with his mother in the poor suburbs of Paris and spends his days either at the hospital or in a center for sick children. This encounter will disrupt their lives and change them both, profoundly and forever.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
