A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.
You May Also Like
Fighting in the Civil War a man accidently kills his friend. Returning to Abilene after the war he finds his former sweetheart about to marry the brother of the man he killed. To pay his debt he not only refuses to win her back but takes the job of Sheriff, a job he doesn’t want, when the brother asks him. Still haunted by the killing he refuses to carry a gun. But there is trouble between the ranchers and the farmers and when he finds the brother murdered he straps on a gun and heads after the killer.
When Confederate soldier Matt Weaver returns to town after the Civil War, he finds that his home has been sold by town boss Sam Brewster. Brewster hires gunfighter Jules Gaspard d’Estaing to deal with Weaver, but d’Estaing’s independent approach settles the town’s problems in a very unorthodox manner.
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
Wily roving gunslinger Sartana arrives in a small town and tries to find a hidden fortune of half a million dollars in gold and two million dollars in counterfeit money. Naturally, a bunch of other treacherous folks who include conniving widow Senora Manassas, shrewd fellow gunslinger Grand Full, and the vicious and unhinged General Monk are also looking to get their greedy hands on said fortune.
This epic, action-packed Western tells the incredible true story of Bass Reeves, the first black marshal in the Wild West. Having escaped from slavery after the Civil War, he arrives in Arkansas seeking a job with the law. To prove himself, he must hunt down a deadly outlaw with the help of a grizzled journeyman. As he chases the criminal deeper into the Cherokee Nation, Reeves must not only dodge bullets, but severe discrimination in hopes of earning his star–and cement his place as a cowboy legend.
In a future where water is scarce, a farmer defends his land and hopes to rejuvenate his parched soil. However, his daughter’s boyfriend schemes to steal the land for himself.
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarthy, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarthy while tracking down evidence that will prove his innocence.
A schoolteacher arrives in town with the map to a gold mine. The lesbian dance-hall owner schemes to steal the map.
Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter’s evil guardian is determined to have the gold mine for himself and his saloon-singer wife.
