Duct tape, electrical cables, trigger, explosives. Sebbe never planned to build a bomb. It just happened. Sebbe is 15 years old and lives with his mother in an apartment that is too narrow. He does his best. He never strikes back. Sebbe loves his mother because he knows nothing else. In the junkyard the dream is alive, and in the hands of Sebbe, dead objects come to life. Here he has the power to create. Here he is free – but alone. His isolation grows as his world shrinks, until one day he is completely isolated with no other than his mother. And when she falls, everything falls.
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The five-year-old Flo cannot understand the condition that her father is in. Her mother explains: “He is with us but also far away at the same time”. This description sparks the child’s creativity, as she begins to imagine her father embarking on a journey far away, into the vastness of space.
The movie is set during World War II in the days just prior to the D-Day invasion. A special parachute unit is sent to destroy a German flame thrower installation on Omaha Beach.
Josh, a small town carpenter, finds himself at the center of a national media story when his touch brings a twelve year-old boy, who fell into a freezing lake, back to life. Although many consider it a miraculous act, Josh isn’t convinced he has done anything special – even after he seemingly heals several others. Thrust into a whirlwind he never expected, Josh must make a decision that could change his life and the lives of those he cares about most.
Maestro Nikolai Masoudov, a talented writer, and his assistant Margaret, are working on a biblical story of Pontius Pilate. The Satan — Woland, and his lieutenants, are harassing Master by surveillance, by killing his friend, and sending another friend to Gulag prison in Siberia. Victimized by their harassment, Master becomes paranoid, and is locked up in a mental institution. Margaret is trying to save him regardless of the danger.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
Takes place in a chateau, an ambiguous story of a man and a woman who may or may not have met last year at Marienbad.
Marco returns to Paris after his brother-in-law’s suicide, where he targets the man his sister believes caused the tragedy – though he is ill-prepared for her secrets as they quickly muddy the waters.
Mercenary James Shannon, on a reconnaissance job to the African nation of Zangaro, is tortured and deported. He returns to lead a coup.
Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous Grand Slam champion. To jolt him out of his recent losing streak, she signs him up for a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend.
Based on a play by David Rabe, Hurlyburly is about the intersecting lives of several Hollywood players and wannabes, whose dysfunctional personal lives are more interesting than anything they’re peddling to the studios.
Kaanchi movie is a musical thriller with a love story. It is a story of the inner power of a woman who represents millions of suppressed youth against unjust in the country. It is also the story of an innocent rural beauty and her fight against power.
