General Candy, who’s overseeing an English squad in 1943, is a veteran leader who doesn’t have the respect of the men he’s training and is considered out-of-touch with what’s needed to win the war. But it wasn’t always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.
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Viviana (Andrea Lopez) and Alicia (Martha Isabel Bolaños) have never met, but they’re about to get intimately acquainted. One day, while tipping drinks back in a bar, the two women strike up a conversation that quickly turns personal, Viviana is locked in an abusive marriage, and Alicia’s female lover, Lorena (Carolina Sepulveda), has recently fallen for another woman. As the two women strangers find common ground in their lives, they enter into a secret pact to kill the people who have made their lives a living hell. Seductive, bloody and shocking events send them both plummeting down a destructive path from which there is no escape
The Shamer’s Daughter, Dina, with the magical power of compelling people to admit their most secret shame, must save her family with her newly found father. But he is a Blackmaster, with the power to make people see and believe things that aren’t true, so Dina must deal with having inherited this horrible power, while forging a relationship with a father she fears and mistrusts.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim’s supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music’s the thing.
Neo-Venezia has reached a long winter. Ai, Azusa and Anya, who were practicing jointly in the cold weather, visit the Undine Museum, led by Akira who seems not her usual self. At the museum, the trio meet its director, Asuka who is Akira’s senior known as Himeya’s legendary undine. The two of them are the successors to a gondola that has been carefully passed down since the founding of Himeya Company. However, Akira reveals that Aika, who is expected to inherit the gondola, has no intention of doing so. Azusa, who is not convinced, tries to find out why.
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son – and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents – only to get into a fight and kill an older man on the road…
During the warring period of the three kingdoms, ancient China is in turmoil. To unify the country, general Cao Cao (Jiang Wen), the real power behind the Emperor, enlists the aid of the greatest warrior in the land, Guan Yu (Donnie Yen). However, Guan Yu is a loyal friend of Cao Cao’s enemy Liu Bei (Alex Fong) so to persuade the peerless warrior to fight, Cao Cao takes his beloved Qi Lan (Sun Li) hostage. After leading Cao Cao’s forces to victory Guan Yu sets out with Qi Lan to rejoin Liu Bei. But now Cao Cao has deemed him too great a threat to live, and on the journey he must face all the forces at the Emperor’s command sent to destroy him.
In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.
Ali, a restless romantic and Eda, a graffiti artist, embark on a quixotic adventure through Turkeyandapos;s industrial port-cities, hoping to escape the suffocating routine of their daily lives by finding the ship that Ali has only seen …
The true story about a father struggling to make amends with his twin sons as they pursue their dreams of professional baseball.
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
Lorenzo Vigas’ mesmerizing feature debut examines the struggles of a man petrified by the notion of human contact and intimacy. Armando, aged 50, (played by Pablo Larraín favourite Alfredo Castro in one of his most striking performances yet), cruises young men in the streets of Caracas and pays them to come back to his house. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets 17-year-old Elder, leader of a small band of thugs. Their turbulent relationship will come to mimic the violent, passionate, oppressive unpredictability of the city around them. Winner of the Golden Lion for Best Film at the Venice Film Festival in 2015.
