Officer Prabhat and his team arrive in Nepal to verify a terror suspect and arrest him within a deadline of four days. A race against time ensues when Pakistani agencies start chasing them.
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It is the winter of 2018, the men and women of the UAE military are deployed to provide aid. At the Mocha Base, spirits are high as three Emirati soldiers anticipate an imminent return home. While on their final routine patrol, the three soldiers, Ali, Bilal and Hindasi are ambushed by heavily armed militants on their route, through a narrow canyon. Trapped, wounded, and out of communication range, the three soldiers realize the gravity of their situation. They are running out of options, munitions – and time. Back at the base, their commander receives word and realizes that the assault on the UAE army patrol was premeditated. A rescue mission is quickly put into action, but will air and land support reach the men in time, and will they survive?
A modern and unrelentingly tense psychological thriller based on a theory of the origins of shortwave radio frequencies, Shortwave is an unnerving reminder that some stones are best left unturned.
With a history of men dominating her fate, a broken woman returns to her hometown to bury her mother only to find a violent organ smuggling ring already has the body and wants no witnesses, but by trying to extinguish her they spark an inferno.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
The Fantastic Four is an unreleased low-budget feature film completed in 1994. Created to secure copyright to the property, the producers never intended it for release although the director, actors, and other participants were not informed of this fact. It was produced by low-budget specialist Roger Corman and Bernd Eichinger (who also produced another Fantastic Four movie in 2005).
After being busted for drug possession, Aiden, a troubled teenager, is forced by the cops to go undercover and risk his life to bring down a dangerous drug kingpin.
A dire warning of a wake up call of what might be our future when a globalist terrorist organization aligned with the United Nations disables the United States power grid and institutes Martial Law. It will take a dedicated family of patriots armed with strong survival skills and the remains of the Second Amendment to save America and reclaim its freedom.
Based on a character created by Robert E. Howard, this fast-paced, occasionally humorous sequel to Conan the Barbarian features the hero (Arnold Schwarzenegger) as he is commissioned by the evil queen Taramis (Sarah Douglas) to safely escort a teen princess (Olivia D’Abo) and her powerful bodyguard (Wilt Chamberlain) to a far away castle to retrieve the magic Horn of Dagon. Unknown to Conan, the queen plans to sacrifice the princess when she returns and inherit her kingdom after the bodyguard kills Conan. The queen’s plans fail to take into consideration Conan’s strength and cunning and the abilities of his sidekicks: the eccentric wizard Akiro (Mako), the wild woman Zula (Grace Jones), and the inept Malak (Tracey Walter). Together the hero and his allies must defeat both mortal and supernatural foes in this voyage to sword-and-sorcery land.
Defeating numerous villains in the abandoned area in Z-City but still having problems with rent money (and continued harassment from the landlady who says he’s 3 months overdue), Saitama speaks with a shop owner who is being forced by a local gang to surrender his store’s deed. Several other shops have gone out of business and his store is the last one; a conversation between the gang boss and one of his stooges reveal that the boss has had an impulse to buy out all the stores in the area to destroy them.
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.