Yvan finds a burglar in his house. After some consideration, Yvan decides not to call the police and to drop the lad near the nearby city but he ends up giving him a lift home to his parents. Together, they travel through Belgium and meet some extraordinary people and find themselves in ditto situations.

Villagers advise an abusive husband to channel his rage in the army. There, he must come to terms with violent urges that have deep and painful roots.

In the late 1970s, when a mentally handicapped teenager is abandoned, a gay couple takes him in and becomes the family he’s never had. But once the unconventional living arrangement is discovered by authorities, the men must fight the legal system to adopt the child.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein’s final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer’s dissatisfaction with Eisenstein’s attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein’s death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Two friends, who both work for the same high-priced, high-powered law firm, are both married to modern day witches. Erica, the wife of Larry, believes that he is being led astray by Carol, an old flame, who also works for the same law firm. Erica decides to act and one night after a torrid sex session Larry drifts off to sleep and begins to dream. Soon the dream turns into a nightmare of sex, violence, murder and death involving himself, his friends and colleagues from the law firm which appears to be frighteningly realistic…

In this Janette Oke sequel to “Love Comes Softly,” the eldest child in an 1800s frontier family, Missie Davis is a bright and beautiful elementary schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though shes met a hero from one of her novels.

An orphaned heiress is forced to embrace her family’s dark legacy.

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Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.

The wife of a pastor who preaches against homosexuality embarks on an affair with a female writer.

The film documents, in an often dramatic and humorous fashion, Gray’s investigations into alternative medicine for an eye condition (Macular pucker) he had developed.

For generations the Zhao family has wielded power, until their mortal enemy TU’AN GU slaughters the entire clan, determined to wipe out their influence forever. But one Zhao baby survives hidden by CHENG YING the doctor who delivered him. When Tu’an Gu learns of the baby’s escape he seizes every infant in the city, vowing to kill them all unless the Zhao baby is surrendered. As the tyrant’s soldiers arrive at Cheng Ying’s home the frantic doctor hides his wife with their own baby whilst surrendering the Zhao child as his own. But his family is discovered; his baby is presumed to be the Zhao heir and murdered along with his wife for harboring the infant. Now set on revenge Cheng Ying enrolls the Zhao orphan into the service of the Tu’an Gu household, plotting to use him as an instrument of vengeance when he comes of age.