The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.
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In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
Five friends take off for a ski trip, but when they end up at the wrong location they soon realize they’re in for much more than a snow-filled weekend in the mountains.
In 1948, a group of World War II pilots volunteered to fight for Israel in the War of Independence.
Laura is a 19-year-old university freshman who desperately wants to do well in school. She works a part-time job but cannot make ends meet. One evening in which she is short of funds, she answers a personal ad online by “Joe,” 57, who seeks a female student for “tender moments.” The pay is 100 euros per hour. Laura pledges to do this just once, and three days later, she goes to a hotel room with Joe. And then her spiral begins.
It tells the story of Saro, a man seeking for greener pasture, but unfolding events and his affair with the king’s wife, he encounters his untimely death and with Akala, a mystical bird believed to give and take life.
Keith, a small-time drug dealer is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
Early one summer morning a young man, with a secret stashed away in a duffel bag, emerges from the forest. In a nearby village he asks around for work, but the farmers, suspicious to the point of hostility, are not very forthcoming. Only when Lucy, the mayor’s unruly daughter, takes a liking to him, does the village change its attitude: he is promptly offered a job as a farmhand and a caravan to live in. As time passes and he is gradually integrated into the community, it emerges that he’s not the only one with a past to hide. Something sinister is lurking under the immaculate surface of this picturesque little world – and it is slowly drawing him in.