Revolution is a new movie from internationally-acclaimed filmmaker Rob Stewart. A follow-up to his award-winning documentary Sharkwater, this continues his remarkable journey of discovery to find out that what he thought was a shark problem is actually a people problem. As Stewart’s battle to save sharks escalates, he uncovers grave dangers threatening not just sharks, but humanity. In an effort to uncover the truth and find the secret to saving our own species, Stewart embarks on a life-threatening adventure through 15 countries, over four years in the making. In the past four years the backdrop of ocean issues has changed completely. Saving sharks will be a pointless endeavor if we are losing everything else in the ocean, not just sharks. Burning fossil fuels is releasing carbon dioxide into the atmosphere; changing the oceans, changing atmospheric chemistry and altering our climate.

A movie serial in 13 chapters, and Lionel Atwill’s final film: Following the end of WWII, war-monger Sir Eric Hazarias sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defence against the atomic bomb, leads him to mythical Pendrang. Obstructing his sinister plan to rule the world are Rod Stanton, United Peace Foundation investigator, Tal Shan , Pendrang native, and Marjorie Elmore, daughter of scientist Dr. Elmore, unwilling assistant to Sir Eric.

Quaid and Kurk Morgan are a couple of vicious and dangerous psycho rapists who escape from prison and go on the lam. The deranged duo abduct a lovely young lass in order to ensure they can successfully elude being recaptured by the police. Meanwhile, brutish copper Doug Hanson and his more civil partner Charles Hess track the sickos down.

Enraged by the murder of it’s offspring, a Bigfoot rampages through the countryside of Southeast Ohio. Detective Benson (Zach Galligan), Ranger Thomas (Johnny Lechner) and Bigfoot researcher Hank (Dave Sherrill) scramble to locate the legendary creature before it attacks a group of teenagers on a camping trip in an isolated place called Kampout. – Written by Glenn Martin

On an isolated English farm in 1657, Fanny lives a quiet life with her oppressive husband John and their young son. One day their life is rocked with the arrival of young couple Thomas and Rebecca who claim to have been robbed and need a place to stay. But are these strangers really who they say they are?

Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.

Fed up with the hectic, senseless world he lives in, Teddy decides to settle down alone in Siberia, in the midst of winter, in a hut by the shore of Lake Baikal. After an initial period of elation in front of the splendor and magic of unspoiled nature, Teddy soon finds himself confronted with the less glossy side of things : solitude, extreme cold, the necessity to find food, danger… One night Teddy gets lost in a blizzard and would be doomed to a certain death, were it not for Aleksei, a Russian convict living hidden away in the forest nearby, who rescues him in extremis. Friendship soon blossoms between the two men…

A couple find themselves trapped while on a run around a pond.

After the murder of her two Scandinavian friends in Morocco, a Russian blogger decides to do her own justice.

An orphaned heiress is forced to embrace her family’s dark legacy.

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip’s wording each week, unknown to writer and printer. The first of the Ealing comedies.