A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host.
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Jane McCoy, a recent college graduate, much to her parent’s dismay, decides to scrap her plans for law school to pursue an acting career full-time. Struggling to make ends meet, she meets a confident and persuasive friend who shows her the way to make extra money go-go dancing. What starts as just an “easy money” job, however, rapidly becomes an all-consuming activity that slowly pulls Jane from her acting classes, her relationships with her boyfriend and family, and, most importantly, from her true self.
A space shuttle mission investigating Halley’s Comet brings back a malevolent race of space vampires who transform most of London’s population into zombies. The only survivor of the expedition and British authorities attempt to capture a mysterious but beautiful alien woman who appears responsible.
Inspector Joshi is a grieving father searching for his daughter Aruna, kidnapped years ago when she was six. In his despair, life converges with a recurring dream in which Joshi pursues a shadowy figure who leads him to ‘Paradise’, a night-club where teenage girls dance to a leering crowd. He is convinced he will find Aruna there and vows to bring her back to Leela, his broken wife.
In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.
A romantic drama set during the politically charged early 60s where a sophisticated woman returns to her Southern home town and discovers her options are limited yet discrimination is plentiful. With the help of a Congressional ally, she inspires historic legislation which allows opportunities and protections never before afforded to women.
Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.
Small-town detective Noah Cordin is called to solve a juvenile homicide that occurred during a home burglary in his affluent town of Hilliard. The dead boy’s mother, Allison Connor, is a member of the Meskada County Board of Commissioners, and a powerful woman in Hilliard; and the entire township rallies together in solidarity – to support her and Detective Cordin’s efforts to find the killers.
Richard has lost what little sanity he had left, instead putting all emphasis on seeking out and brutally slaying any and every woman who crosses his path. However, this time he might have met his match as his deceased wife’s sister, Maria, is hellbent on putting an end to his orgiastic rampage.
