Faced with the insistence of his brother Joseph, whom he has not seen for 25 years, Paolo resolves to give up his calm and harmonious life in Canada, to return to Marseilles at the bedside of his rugged father. He left, therefore, with his son under his arm, determined not to linger in that city which he had fled years before, after a tragedy. He does not imagine that the affection of his newfound family, his love affair with a young woman and the joyful and simple solidarity of the Marseillais will reconcile him with this city he would never have wanted to leave…Marseillle.
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After her husband dies, Carmina keeps it a secret until a check that he had been expecting comes in.
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In “The Christmas Train,” disillusioned, globetrotting journalist Tom Langdon (Dermot Mulroney) must get from Washington, D.C. to Los Angeles in time for Christmas. Forced to take the intercontinental trip by train, and determined to chronicle his adventure, Tom finds himself westbound with a variety of characters. On the train is renowned movie producer Max (Danny Glover), Max’s script doctor and protégé Eleanor (Kimberly Williams Paisley), and Agnes (Joan Cusack) who occupies the cabin opposite Tom’s and seems to know his business better than he does. While all passengers on the Christmas train appear to be headed for the same destination, Tom has no idea that the rugged locomotives taking him across America will instead detour straight into his heart – into rude awakenings, his wildest hopes and dreams, and toward the opportunity for love Tom thought was lost forever.
While driving to the reading of her father’s will, Catherine is faced with an anomaly on the side of the road.
When Gerben Kooistra, a liberal from the north of Holland, is appointed as the new mayor of a small southern village he starts a battle against a big local criminal called ‘Grandpa’ Toontje. Gerben’s mission is harder then he anticipated. Crime is everywhere in this seemingly innocent small town and his political mission slowly turns into a dangerous obsession.
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Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
On the roofs of a Tibetan monastery two boys let fly a kite, but suddenly a shot rips the relaxed silence, and one of the two guys gets shot, the “Golden Boy” which is the fictitious successor to the Dalai Lama. The monks act immediately and bring him out of Tibet to secure his body. In the meantime, the Berlinese mountaineer Johanna and her Swiss friend travel to the monastery to stay there for some days…
Checco is a young Apulian entrepreneur dreamer who has opened a sushi restaurant in his Apulia. However, after one month, the restaurant went bankrupt and he chose to emigrate to Africa to escape from debt. Here he adapts to being a waiter in a resort in Kenya, but at the outbreak of a civil war he decides to embark on a stowaway trip on a boat for migrants to Europe and chooses to do it with his African friends. However, he would not like to return to Italy, but rather to go to Liechtenstein where banking secrecy is in force and there is a lower tax burden than in Italy.
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Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.