Sheriff Lane Dakota captures robbery-murder suspect Greiner just as the latter is wounded in an Apache ambush. At remote outpost Apache River, Lane and his prisoner spend the night with other travelers, including 2 women with a surprising number of fancy dresses. In the morning, who should appear but a band of ostensibly peaceful Apaches strayed from the reservation. And bigoted Colonel Morsby is strongly inclined to shoot first and ask questions afterward…
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Fatty steals a ride on a train, discovered, and put off in the middle of nowhere. He stumbles along over the hot desert and finally passes out. A very plump Indian woman finds him and takes him to her tepee, woos him and finally, in desperation, Fatty agrees to marry her. While the tribe is preparing for the marriage ceremony, Fatty attempts to escape but is caught.
When a nun broke her covenant with God to save the life of her unborn son, Aman, he was cursed for life. As an adult, Aman has killed those who have crossed him. But his curse brings his victims back to life and they pursue him for revenge, so Aman enlists a young gunman to fight by his side against his undead victims.
“Cowboy Up” is a celebration of the risk-taking, daredevil personalities of modern rodeo. In the world of professional bull riding, newcomer Ely Braxton (Marcus Thomas) is the craziest guy around; his brother Hank (Kiefer Sutherland) is a rodeo clown, and the two use each other to play up their acts. But love may be one thing that tears the brothers apart. When Ely falls for the rodeo’s sweetheart (Daryl Hannah), Hank is filled with jealousy and hatred. The brothers try to come to grips with their differences, but the competition gets as fierce as the bulls in the ring.
A New Mexico cattle man and his strong-willed daughter clash over the man’s choice for a new bride. Things get worse when the elder man has his daughter’s lover hanged. With the help of an old flame, a gambler, the daughter puts into motion a plan to drive her father from his estate.
Rancher “Utah” Neyes crosses the border into Canada to meet his partner, only to find that the latter has been murdered by a gang led by “Nails” Nelson. “Utah”, with the aid of RCMP Jack Craig and fur-trapper Ivy Jenkins, manages to clear his own name of suspicion and also break up Nelson’s fur-stealing and smuggling racket.
A rich Easterner who has always wanted to live in “the Wild West” plans to move to a Western town. Unknown to him, the town’s “wild” days are long gone and it is an orderly and civilized place now. The townsmen, not wanting to lose a rich potential resident, contrive to make over the town to suit the young man’s fantasy.
A crazy group of pioneers brave the harsh elements and numerous mishaps to travel thousands of miles out west to find a place to call home.
When the multiple murderer Cain is released from prison after 18 years, he wants to settle down as a rancher and never touch a gun again. But his former life haunts him; not only that nobody wants to give him a job, some villains also want to pay him back. So he has to accept the offer of showman Ruffalo to perform as “Killer Cain” in his traveling shooting show. However after 18 years without practice even Ruffalo’s young assistant Billy shoots better than Cain.
A good-natured cowboy who is romancing the new schoolmarm has a crisis of conscience when he discovers his best friend is engaged in cattle rustling.
Part of the 12 Western feature films to be made in 12 months during 2020, this film tells the story of Texas Red, an African-American man who was hunted by hundreds through the Winter wilderness of Mississippi.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.