A man planning to commit suicide hires a taxi driver to take him to his jumping-off point.
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A gunman forces a paramedic to drive an ambulance, while his partner treats the man’s injured brother.
A man on his death bed relives memories of a past relationship and struggles with his own life choices. As he moves through the consequences of his decisions, he deals with regret and the possibilities of what could’ve been, all while coming to terms with his fate.
A young man who was sentenced to 7 years in prison for robbing a post office ends up spending 30 years in solitary confinement. During this time, his own personality is supplanted by his alter ego, Charles Bronson.
When a workaholic young executive, is left at the altar, she ends up on her Caribbean honeymoon cruise with the last person she ever expected: her estranged and equally workaholic father. The two depart as strangers, but over the course of a few hilarious adventures, a couple of umbrella-clad cocktails and a whole lot of soul-searching, they return with a renewed appreciation for family and life.
A man is trapped in a mine shaft by his vengeful brother while his daughter embarks on a magical journey to rescue him.
A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.
A woman’s panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man’s body to his family.
Fifteen years after his father’s experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
When a car accident lands her husband, Kaushik, in the hospital, Kaberi’s life takes a dramatic turn — in more ways than one. Anguish over Kaushik’s dire condition gives way to anger when Kaberi learns he was having an affair with his co-worker. Torn between sympathy for her bedridden husband and the sting of his betrayal, Kaberi weighs her options.
