Sandrine and Alice are two sisters who, in their thirties, decide the time has come to attempt a reconciliation with their mother.
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After botching the capture of a notorious serial killer, idiosyncratic detective Michael Burrows loses his job with the San Francisco Police. He becomes an investigator for an insurance company and joins forces with a cynical field agent to probe suspicious and unusual deaths.
After years of organizing fashion in the city, Lauren decides to move home. In exchange for her organizing services, mover Rob makes it his mission to help her see the beauty of Seattle.
Upon graduating college, a brokenhearted aspiring writer, without a dime or connections, packs his bags and heads to Los Angeles in the hopes of finding a new beginning. He quickly gets immersed into two very different worlds – one young, provocative and alluring, the other rooted in diversity, community and loyalty – both with their own unique appeals, advantages and dangers. Through his new experiences, he realizes who he is and where he belongs.
Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Henry Frankenstein is a doctor who is trying to discover a way to make the dead walk. He succeeds and creates a monster that has to deal with living again.
Miso lives from day to day by housekeeping. Cigarettes and whiskey are the two things that get her through the day. As cigarette prices and rent start to rise, Miso decides to give up her house for cigarettes and whiskey, leading her to couch surf with old friends while reconsidering her place in life.
After she discovers that her boyfriend has betrayed her, Hilary O’Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood cancer. Slowly, they fall in love, but they always know their love cannot last because he is destined to die.
Two mismatched homicide detectives are forced to team up and stop a killer from reaching his dark twisted goals. There is one small problem; the cannibalistic killer is a crooked cop who could be closer than they think! As the body count grows and the bullets fly three cops and a rat put their lives on the line to stop a mad man and his crazed cult from killing and devouring 100 women. Can Dick and Jeff figure out a way to stop the killing without killing each other?
