A young Aboriginal boy is torn between his unexpected love of acting and the disintegration of his family.

The spear signifies political power, the arrow personal ambition. What happens when the two collide?

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.

Véronique Chambon (Sandrine Kiberlain), a single schoolteacher and Jean (Vincent Lindon), discover an unexpected bond that causes them to question the direction of their lives. They move in different social circles but their relationship develops and their lives begin gradually to unravel.

A bookstore owner starts an antagonistic relationship with a book cover model until an antique key found in a false book unlocks their romance.

A daughter torn between two mothers, one who raised her with love and her biological mother, who instinctively claims her back.

Rafa’s hooked on the pure, fiery feelings he gets from speed racing, but when his kid’s mom gets mixed up with drug dealers, he burns rubber to save her.

An incident brings a mid-aged Taiwanese woman and a young Filipino guy together. Although they can barely communicate with each other in language, she takes care of him out of instinct before her self-consciousness gets in the way to define what that ambiguous instinct is.

Hong Kong nihilism. December 22, a street quarrel leads to the death of a gang leader’s son. Next day, he seeks revenge on his brother, a rival boss. He calls on Liu, a fixer, to import a hit man from the mainland. Lai Fu, a tough and youthful hick, arrives with a day pass. The cops, led by the morose Milo, hear about the killer; they open a full-scale Christmas Eve operation to find the warring brothers and Lai Fu. Lai Fu rescues a hooker, Dan Dan, from a sadist and asks her to help him find his way around Mongkok. By nightfall, Liu has double crossed Lai Fu, the brothers are hiding, the cops are everywhere, and Lai Fu and Dan Dan are on the run. Peace on earth, good will to all?

Deep in the underbelly of New York City, a five year-old girl and her mother live among a community that has claimed the abandoned subway tunnels as their home. After a sudden police-mandated eviction, the pair are forced to flee aboveground into a brutal winter night. Determined to return home, they fight to find shelter as their world is thrown into chaos.

A childless couple bury a box in their backyard, containing all of their wishes for an infant. Soon, a child is born, though Timothy Green is not all that he appears.

Following the death of the unmarried and childless Taki, Takeshi, a young relative of hers, discovers several pages of closely written lines in which the old lady has recorded her memories. This is how he learns the truth about her youth working as a housemaid and nanny for the Hirai family in a little house in Tokyo with a red gabled roof.