After millions of people vanish and the world falls into chaos, a charismatic leader rises to lead the UN. However, his intentions are more sinister than they appear.

In Momma’s Man an adult decides to escape the pressures of life and return to his old bedroom at his parents’ house. An odd premise, but executed with skill and tenderness.

After their family emigrates from Colombia during the summer of ‘99, a metalhead science prodigy and his deviant younger brother do their best to adapt to new lives in America.

A wealthy businessman takes on a pretty young wife – with deadly results.

Aging samurai Hanshiro Tsugumo arrives at the home of Kageyu Saito and asks to commit a ritual suicide on the property, which Saito thinks is a ploy to gain pity and a job. Saito tells Tsugumo of another samurai, Motome Chijiiwa, who threatened suicide as a stratagem, only to be forced to follow through on the task. When Tsugumo reveals that Chijiiwa was his son-in-law, the disclosure sets off a fierce conflict.

Set in the city of Uttar Pradesh and based on true events, the plot revolves around Dr Shrinivas Ramchandra Siras who taught Marathi at Aligarh Muslim University. He was sacked from his position of Reader and Chair of Modern Indian Languages, on charges of homosexuality. A sting operation was conducted by a TV channel which showed him in an embrace with a rickshaw puller, at his house inside the campus.

Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.

In the rebellious northern frontier province of colonial India, British Army Captain Scott, a young prince and the boy’s governess escape by an obsolete train as they are relentlessly pursued by Muslim rebels intent on assassinating the prince.

Julia Ross secures employment, through a rather-noisy employment agency, with a wealthy widow and goes to live at her house. Two days later, she awakens in a different house in different clothes and with a new identity.

The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

What is a human life worth? How is it possible that a woman like Agnes could agree to kill another human being? Is it the money? Or are there other forces at play?

A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father’s cook, an African named Owuor.