Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

A disgraced RAW agent Akilan (Vikram) is recalled by the agency to track down a crazy scientist and a cross dresser Love (also Vikram), who has discovered a deadly new drug ‘Speed inhaler’.

A single mom is overjoyed when her daughter finally makes friends at her new high school. Soon, however, it becomes clear that this group of students follows their own moral code that’s strange, self-centered, and possibly dangerous.

Dutch coach Thomas Rongen attempts the nearly impossible task of turning the American Samoa soccer team from perennial losers into winners.

Three teenagers are shaken up by their first loves in the turmoil of their youth. At a time when others are conforming, they stand their ground and assert their right to love and be free.

Based on the true story of Robin, a handsome, brilliant and adventurous man whose life takes a dramatic turn when polio leaves him paralyzed.

Evil wreaks pure havoc and bloody murder upon Leslie Van Hooten, a beautiful young girl, and her unsuspecting fellow grad students as they make their way to her family’s extravagant and yet isolated estate.

It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket

The story of a loving man and father who falls under the influence of an extremely orthodox Protestant sect. He sacrifices everything and everyone to this faith, including his business and the respect of his younger son. However, he never loses the love of his wife.

In this classic story of love and devotion set against the backdrop of the American Civil War, a wounded Confederate soldier named W.P. Inman deserts his unit and travels across the South, aiming to return to his young wife, Ada, who he left behind to tend their farm. As Inman makes his perilous journey home, Ada struggles to keep their home intact with the assistance of Ruby, a mysterious drifter sent to help her by a kindly neighbor.

Agnes MacDonnell, a strong and self-confident Englishwoman, owns a large estate on an island off the west coast of Ireland. When she begins a passionate but dangerous affair with her new estate manager, Agnes wages a desperate struggle to dominate this charismatic but destructive man.

John Rotit is a happy, content man with a loving wife. Hours later, he’s a rock star shooting up heroin. And after that…he’s something far more sinister. John unwillingly flashes between three parallel lives in which he knowingly exists in each. He has no clue how or why this phenomenon is occurring, only that he wants it to stop. John’s judgment becomes clouded as he’ll do anything he can to end his flashes and remain in the one life where he’s truly happy.