Fact-based war drama about an American battalion of over 500 men which gets trapped behind enemy lines in the Argonne Forest in October 1918 France during the closing weeks of World War I. Based on a true story, The Lost Battalion is set in 1918 during the final months of WWI. Assigned to capture an enemy stronghold in Charlvaux at the height of the Argonne campaign, the men of the AEF 308th Battalion, 77th Division, are led by young American major Charles Whittlesey, an inexperienced but dedicated “citizen soldier.” Totally cut off from the other allied troops, unaware of their vulnerability, and barraged by “friendly fire,” the 500-plus men of the 308th bravely hold their position, suffering incredible losses and unspeakable deprivations in the process — while the battalion’s superior officers, far from the firing line, callously prepare to write off the men as expendable casualties.

From the Director of I DANIEL BLAKE (Ken Loach) comes a story exploring the issue of hardship in modern-day Britain through a young couple scraping to get by in a casual jobs market. A hard-up delivery driver and his carer wife are pushed to breaking point as they struggle to keep their family afloat in a world of zero-hour contracts and gig work.

In 1950s small-town Britain, a doctor develops an intimate relationship with her young patient’s mother.

Grief? Depression? Ambiguity in a Paris hotel room. Jack Whitman lies on a bed, ordering a grilled cheese sandwich from room service. His phone rings; it’s a woman on her way to see him, a surprise. He readies the room, moving without affect, drawing a bath, changing his clothes. She arrives, as does the food, and the complications of their relationship emerge in bits and pieces. He invites her out on the balcony to see his view. Will they make love? Is the relationship over?

Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor’s decision to help them has extraordinary and unexpected consequences.

The European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones, is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story promptly leading him to the crime of fascism and Nazi Germany’s designs on European conquest In attempting to learn more about a seemingly noble peace effort, Jones who walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love.

Two LA detectives get in over their heads when they get involved with a nightclub singer who holds the key to the missing loot from a New York elevator robbery. Once they find the money, they are tempted to keep it and betrayal and corruption come to run the order of things.

Antoine is a lawyer living in New York. On his way back to France for the final round of a job interview, Antoine finds himself sitting right next to his ex-girlfriend Julie. With a seven-hour flight ahead of them, they are going to have to speak to each other.

Chef Lia’s plans to expand her non-profit heart-centered meal delivery service flounder due to her insistence on doing everything herself. But with the help of her new neighbor and recent adoptee father Eli she’ll discover that business, just like romance, can flourish with a little effort and trust.

Madeleine, rendered mute after being sexually assaulted as a youth, accepts a lift from a wealthy and sadistic pimp who soon enslaves her into his prostitution racket. Despite her limited means, Madeleine embarks on a bloody road to revenge against her captors.

Elena, a Sicilian mother of three, is murdered by her husband. Her cousin, Roberto decides to take the three orphans into custody. Together with his wife, Anna, he takes charge of the maintenance of the three nephews, who join the other two children of the couple. The adaptation of the three children to the new reality is complex and conflicting. The backlash on the family budget is heavy. Roberto and his wife make do to ensure that the children are supported, trying not to let them know how their mother died.

The Elliot estate was once a thriving plantation, but by the 19th century, the family has crumbled under the weight of its own excesses. If sordid sexuality and insanity don’t claim their lives, a malevolent force lurking on the land certainly will. Is it a supernatural entity, or simply the poverty-stricken locals seeking revenge? Marj Dusay and Ryan Foley star in this award-winning chiller from auteur Andrew Repasky McElhinney.