Chef Jack and his assistant Leonard will travel through the Culinary Islands to participate in the biggest gastronomic competition in the world and, thus, try to defeat their opponents.
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After losing his parents, a priest travels to China, where he inherits a mysterious ability that allows him to turn into a dinosaur. At first horrified by this new power, a hooker convinces him to use it to fight crime. And ninjas.
“Whatever falls from heaven, you may keep.” So goes the unwritten law of the Kazakh steppes. A law avidly adhered to by the inhabitants of a small village, who collect the space debris that falls downrange from the nearby Baikonur space station. The last two youthful members of the village are the radio operator Iskander, known as Gagarin, and the spirited Nazira. While Nazira finds it increasing difficult to conceal her love for Iskander by means of her unconventional behaviour, Iskander is evidently not only crazy about Baikonur and the vastness of outer space, but also deeply smitten with the beautiful French astronaut Julie Mahé, whose journey to the stars he wistfully follows on television.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
In 1993 New York City, dysfunctional co-dependent sisters discover that the mother they thought had died when they were young is alive and starring on a popular daytime soap opera.
Inspired by a true story, ‘Transatlantic Coffee’ is a tale of boy meets girl, boy falls in love with girl …only the boy is a 41 year old clown, the girl, a teenage stripper from London. Alex is battling bleak circumstances within his version of a hostile world. However, his outlook evolves with the emergence of the young, sharp and adventurous, Mandie. The oddball duo embrace each other for who they are, until Alex’s secret trauma bubbles to the surface, leaving for a climax that should not be missed.
Young Jason Stillwell (Kurt McKinney) moves with his parents to Seattle, where local bullies harass them without mercy. Jason’s father Tom (Tim Baker) does not believe in violence, so the family takes it on the chin. One day Jason enrolls in a martial arts class and quietly rises in rank to be a major contender. His mettle is tested in an international match against Ivan, a Russian champion.
As a screenwriter takes notes from Hollywood executives, her beautiful diverse movie about a black American woman traveling to Mexico, slowly becomes a romantic comedy with an all-white cast. A quirky cerebral look into commercialism and greed, juxtaposed with a heartwarming movie that challenges stereotypes.
Clay is a young man in a small town who witnesses his friend, Earl kill himself because of the ongoing affair that Clay was having with the man’s wife, Amanda. Feeling guilty, Clay now resists the widow when she presses him to continue with their sexual affairs. Clay inadvertently befriends a serial killer named Lester Long, who murders the widow in an attempt to “help” his “fishing buddy.”
