When a young man agrees to housesit for his boss, he thinks it’ll be the perfect opportunity to get close to the woman he desperately has a crush on – his boss’s daughter. But he doesn’t plan on the long line of other houseguests that try to keep him from his mission. And he also has to deal with the daughter’s older brother, who’s on the run from local drug dealers.

Bob Hughes is the leader of a “family” of drug addicts consisting of his wife, Dianne, and another couple who feed their habit by robbing drug stores as they travel across the country.

When control-obsessed Oliver’s perfectionist tendencies begin to stunt his filmmaking progress and his relationships, an odd rivalry forms between him and his filmmaking partner, Alaina. But they soon realize going their separate ways might not be the easiest way to the top.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne’s technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

After an accident, Pierre, a sixty years old grumpy man, ends up stuck on an hospital bed with a cast. While Pierre dreams of silence and solitude with his strong character, the whole world seems to invite himself to his hospital bed. Powerless, he has to support the daily visits of doctors,nurse and hospital staff then his closes including his brother Herve. Visits after visits, funny or touching, Pierre starts to reconsider some people and reexamine his environment. And after all, his stay becomes a second chance …

The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Keith Chegwin becomes embroiled in a murderous spree involving television presenters.

The Shamer’s Daughter, Dina, with the magical power of compelling people to admit their most secret shame, must save her family with her newly found father. But he is a Blackmaster, with the power to make people see and believe things that aren’t true, so Dina must deal with having inherited this horrible power, while forging a relationship with a father she fears and mistrusts.

Retired police lieutenant Al Giardello is running for mayor when he is suddenly shot at a press conference. All of the detectives, past and present, clamor for an opportunity to help find the shooter.

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

Mandy Moore stars as Halley, a young hip high school student who’s convinced true love doesn’t exist based on the crazy relationships around her. Her mother is divorcing her father who is dating a younger woman Halley can’t stand. Her crazed sister is planning a wedding but has second thoughts and her best friend has fallen madly in love for the first time leaving Halley to feel even more alone.

To make money fast the Browns come up with a plan to win a contest for “Watermelon Juice Afro Sheen,” awarding $10,000 to whoever can find the juiciest, sweetest watermelon in the country.